You asked and we listened, after the eruptive initial release of the limited edition Exploding Head pedal, we're making another limited batch for those who missed out! Inspired by the effects used to make the earth-shattering sounds of the Exploding Head album, this pedal features 3 cascading dreamy delay lines and and infinite feedback stomp to break your sound through new sonic frontiers!
DO NOT DELAY.....EXPLODING HEAD.
Long ago, ghostly echoes spun and danced their way around amplifiers across the world. Dormant for years, they have finally been awakened once again. Beware… the EXPLODING HEAD!
To celebrate the unlucky 13th-anniversary edition of the A Place To Bury Strangers album of the same name, the EXPLODING HEAD pedal looks back at a key piece of gear from that era - the now legendary and unobtainable Ghost Delay. The EXPLODING HEAD is a triple delay dream maker/destroyer system in an ultra-small footprint.
The EXPLODING HEAD pedal produces all new otherworldly soundscapes ready to inspire future records to come! Three delays are connected in series (BLACK into GREY into RED) with individual control over delay parameters for a soiree of rhythmic multi-tap echoes, feedback, noise, swells, and slapback sounds. It’s the delay sound in your head, in a pedal. Mind blown!
ULTIMATE CONTROL
Exploding Head is a simple way to generate an infinite number of multi-head (or multi-tap) delays in an extremely compact and road-ready size (where my road dogs at?). Isolate one (or several) delay lines with the independent BLEND controls or use all three delays simultaneously for the ultimate head-spinning interactive ambiance generator experience.
The knob-per-function design lets you quickly change the delay’s behavior. Create a faux reverb with multiple short slap delays, or stretch the times out long and bring up the FEEDBACK for a slowly evolving ambient cloud. Different feedback amounts per delay create new rhythmic variations and build oscillations at multiple speeds simultaneously. In other words, this thing sounds cool!
At maximum, each delay’s BLEND knob mixes the wet signal louder than the thru signal—ideal for especially intense sounds.
STEREO MADNESS
EXPLODING HEAD has a stereo output section. Using a TS cable will output all three delays mono. However, using a TRS cable will tap the first two delays (BLACK and GREY) to the Ring connection, and the third delay (RED) to the Tip, allowing for a wide stereo spread.
FEEDBACK FOREVER
A momentary footswitch feeds the third delay (RED) into the first delay (BLACK), causing a feedback swell unlike any of the individual delays feeding back on their own. Use the INFINITY switch for dynamic swells, bursts of noise, or to slowly build massive walls of sound.
The BLEND knob of the first (BLACK) delay controls the volume of the feedback generated by the INFINITY switch.
You’ll stay in an infinite loop of joy/chaos, harmony/destruction, and dreams/nightmares with this bad boi on your pedalboard.
TIME: Controls the time of each delay, from ~10ms to ~600ms.
FBACK: Controls the number of repeats for each delay. Different amounts of feedback for each delay section can lead to new rhythmic patterns of repeats.
BLEND: Controls the volume of each delay section. At maximum, the repeats will be louder than the clean signal.
INFINITY SWITCH: Momentarily feeds the output of the third delay to the first delay, creating a multi-delay feedback network around the individual delays. The first (BLACK) Blend knob controls the volume of this feedback.
TECH SPECS
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3-Day / 15-day Return Policy If you are not completely satisfied with any product, return it for a full refund of the product purchase price, full credit, or exchange of your choice. We give you 3 days from the shipping date on Vintage instruments, and 15 days on New instruments. Credit card returns are issued a credit for purchase price. Refunds are made for product value only, excluding shipping and handling charges. New, Unopened items: You may return most NEW, untouched, unopened items within 15 days of delivery for a full refund. if the return is a result of our error (you received an incorrect or defective item, etc.) we'll also pay the return shipping costs. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. Vintage, Used items: We have to evaluate vintage and used guitars, amps, and other items on a case by case basis. We spend a lot of time with you and the item before your purchase to try to avoid any surprises after your purchase. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. You should expect to receive your refund within four weeks of giving your package to the return shipper, however, we strive to issue your refund sooner. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days). Send your return to: Chicago Music Exchange 3316 N Lincoln Ave Chicago, IL 60657 The following items are returnable only if defective OR unopened or unused: strings, harmonicas, microphones, cleaners, polishes, and polishing cloths. Software/soundware, cassettes, CDs, DVDs, and videos may be returned for credit only if they are in their original, sealed packaging. If defective, these items will only be exchanged for the same product. For complete details on our guarantees, shipping, and return policies, please contact our Customer Service Department at 773-525-7773; fax us at 773-525-2775; visit our website at www.chicagomusicexchange.com, or write us at Chicago Music Exchange, 3316 N. Lincoln Ave, Chicago, IL 60657.