The nvelope 500 is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. Control your transients and sustain like never before with the nvelope 500!
The nvelope 500 is a dynamics processor that can change the character of a sound by altering its impulse structure. It gives you direct control over the envelope of a signal by shaping its attack and sustain intensity.
More specifically, a drum set (or individual drums) can be made to sound more aggressive and punchy by accenting the attack, or tones that are already overly aggressive can easily be tamed.
Other useful applications would be on picked or slapped bass, edgy guitar or any kind of piano recording. Generally speaking, the nvelope 500 works optimally on audio signals with a significant/percussive attack structure.
As a balance to the attack shaping, the sustain parameters offer control over room sound and space. An instrument or a reverb tail can sound tighter by reducing its sustain, or can gain more depth/make a signal sound longer by increasing it.
The nvelope 500 is a great tool for shaping individual signals, but it can be an indispensable resource in mixing situations as well, as it effortlessly helps you to bring a sound to the front with more attack and less sustain… or blends it gently into the background by reducing its attack and increasing its sustain.
A unique feature of the nvelope 500 is the enhanced tweakability offered in Dual Band mode. Individual frequency controls for attack and sustain yield excellent processing results without unwanted artifacts, even when utilized on complex material like a summing bus.
We’re sure you’ll be happy to know the nvelope 500 offers true dual mono or linked stereo operation whether you are using it in Full Range, Dual Band or EQ mode.
When the nvelope 500 is not in Stereo Link mode, the two individual channels can be used as different processors simultaneously. For example, you can shape one signal in Dual Band mode in channel L and a completely different signal in Full Range mode in channel R.
Or, you can connect the output of channel L to the input of channel R, and then process the frequency response with the EQ first, followed by some nice Dual Band impulse shaping... As you can imagine, there are lots of possible combinations!
• Discrete Class-A Topology - Pristine audio quality.
• Full Range Mode - Fast & efficient envelope shaping.
• Dual Band Mode - Enhanced frequency controls.
• EQ Mode - Alternative high/low shelf equalizer.
• Mixed Mode - Two different processors at the same time.
• Stereo Link/Dual Mono - lexible channel use and combination.
• Auto Gain - Eliminates level peaks and distortion.
• Made in Germany - High grade components, solid aluminum knobs.