1968 Gibson Blue Ridge Very Good, Original Hard, $1,195.00

Note: I also have a 1968 Gibson Blue Ridge 12-String listed on Gbase with similarly gorgeous Brazilian Rosewood back and sides; they would make a really impressive--and collectible--pair!

According to George Gruhn’s Guide to Vintage Guitars, the Gibson Blue Ridge is a jumbo-style guitar with a solid spruce top and laminated rosewood back and sides (with maple showing as the inner layer), and a mahogany neck. Gibson introduced the line in 1968 as a "no frills," stripped-down, rosewood, more economically friendly version of Gibson's famed J-45—something like the “Working Man” series which would replace the J-40 in the 1980s. The standard Blue Ridge guitar has a 14/20-fret rosewood finger board with pearl dot inlay, a black pick guard, and full black body binding. It has three-per-side “Gibson Deluxe” nickel tuners and a screened logo on the blackface Gibson headstock. It is clearly designed to represent a working man’s guitar, with no frills and no fuss—nothing but the huge sound for which vintage Gibsons have been famous for decades.

However, this is evidently a significantly upgraded limited edition of the Blue Ridge, starting with the beautifully figured Rosewood of the back and sides. While the instrument’s label is long gone, its embossed serial number (829740) indicates it was made in 1968, although Gibson’s serialization is notoriously slippery.

Now, in 1965 the Gibson Heritage was introduced with a solid rosewood back and sides, and some of the first ones were solid Brazilian Rosewood. In 1968—the year the Blue Ridge was first officially distributed—the Heritage also began using laminated Rosewood for their guitars. What I believe to have happened is that this Blue Ridge guitar and a few of the Heritage guitars in the transition period of 1966 to 1969 shared in the last of the Brazilian Rosewood supply, which was being stretched by slicing it into sheets of laminates to be parceled out among whatever guitars were in production at the time. Including this one.

I am not really a wood person, but I have not seen the contrasts in color and grain of this guitar’s back and sides in Indian Rosewood, and I know of no Gibson guitar which has used the similarly figured Coral or Jacaranda Rosewood exploited by Kazuo Yairi and others after him—certainly not in the 1960s. While the grain inside the guitar does not match the dramatic figures of the outside (presumably because it’s the layer of maple laminate), the laminate is clearly special in some way, for better or worse. Whatever: it looks gorgeous, it sounds great, and you won’t be seeing any more of it from Gibson outside of custom shop instruments costing thousands of dollars more than this one!

The original nickel tuners on this guitar are labeled “Kluson Deluxe,” rather than the “Gibson Deluxe” described as the norm, and the headstock is not the blackface veneer described by Gruhn, but obviously solid mahogany. The highly figured rosewood of the fret board looks to me like Brazilian Rosewood, but even if it’s not, it clearly was chosen for its beauty. The multi-stripe ivoroid binding is also an obvious upgrade from the plain black of the “working man’s” Blue Ridge. This is a really striking guitar, not just because of abalone inlay or cute designs, but because of the careful use of the best materials available. This is essentially a 49-year-old Brazilian Rosewood J-45, which makes it the vintage guitar equivalent of the Rosewood Martin D-28—except this guitar’s Rosewood is laminated--and this particular guitar is probably rarer than a Rosewood D-28, fine though they are.

Cosmetically, this 49-year-old veteran has only a few nicks and dings in the beautiful rosewood back and sides, but the softer spruce of the top has a number of ‘em, and there’s substantial “crazing” of the finish all over—“to let the sound out,” as my luthier says. In addition, it has three cracks in the top which have been professionally glued and cleated, and a very old—and solid—repaired crack in the neck. The 1 5/8” nut looks old, but the bridge, saddle, and pins look way too clean to be original, and the new high saddle leaves the action at a bit over 3/32” at the 12th fret low E—an easy adjustment to make if so desired. And after 49 years of seasoning, this ol’ boy sounds and plays great, truly as full and resonant as I’ve heard in years.

The case appears to be the original—or at least vintage--deluxe arched-top hard shell case rather than the typical Gibson “working man’s” chip board case. The plush gold interior is in good shape, the strap to hold the top is even intact, and the guitar fits perfectly. It’s an excellent vintage complement to this fine guitar.

Buyer pays a flat rate of $55 for insurance and shipping to the lower forty-eight states; shipping costs elsewhere will be negotiated as necessary. Payment by Paypal is preferred; cashier’s checks are acceptable, but checks must clear before the guitar will be shipped.

I have tried to be perfectly clear and accurate in describing this vintage instrument and its case, so its return will not be accepted unless it can be shown that it was egregiously misrepresented in this listing. Please check out the pictures and ask any questions you might have before offering to purchase it.

Thank you for your interest in this outstanding vintage Gibson guitar.