1965 Gibson Firebird I "Non-Reverse" Sunburst

Under the Bed for Fifty-Six Years!
Probably the Finest 1965 Non-Reverse Firebird I Extant…
1965 Gibson Firebird I "Non-Reverse"
This very early "non-reverse" lightweight guitar weighs just 6.90 lbs. Solid mahogany body contoured on lower bass side. One-piece mahogany neck with a nut width of just under 1 5/8 inches, a standard Gibson scale length of 24 3/4 inches and a very fast thin-to-medium profile rising gently from behind the Ist fret (0.78 inch); 3rd fret (0.79); 5th fret (0.85); 7th fret (0.88); 9th fret (0.91); 12th fret (0.98) and 15th fret (1.05 inch). Unbound rosewood fretboard with 22 original jumbo frets and inlaid pearloid dot position markers. Headstock with gold-painted "Gibson" logo on black plastic truss-rod cover secured by three screws. Serial number "350796" stamped in blind on the back of the headstock. Dual-line Kluson Deluxe six-in-a-line strip tuners with oval metal buttons. Two black soapbar P-90 pickups with outputs of 8.09k and 7.86k. Three-layer white over black plastic pickguard with a "Firebird" emblem painted on in red on the upper bass side, and ten screws. Four controls (two volume, two tone) on the lower treble bout, plus three-way 'slider' pickup selector switch on the upper treble side of pickguard. Gold plastic bell-shaped knobs with metal tops. Stud bar bridge/tailpiece with pre-set ridges and two intonation adjustment screws. Factory Gibson short Vibrola tailpiece with walrus tooth tip. The pots are stamped "137 6502" (CTS January 1965). Apart from some very minor shrinkage to the pickguardb just affecring two of the screws on the bass side, this totally original guitar is in absolutely mint, almost as new (9.50) condition. One of the first of the "non-reverse" Firebirds to appear in mid to late 1965. Housed in the original Gibson rectangular black hardshell case with checkered cloth lining (9.50). With the original hang tag ("FB-I"), case keys, and bill of sale, dated July 9, 1966.

This is quite probably the finest 1965 Non-Reverse Firebird I extant…

"Announced in Spring 1963, the original Firebird series was conceived as an attempt to produce less conventional electrics likely to appeal to Fender players. Four different models, identified by odd Roman numerals, were marketed simultaneously...The four models produced between 1963 and 1965 (a.k.a. the 'reverse' Firebirds) share the same body specifications and differ only in fretboard style, electronics and hardware...The original Firebird electrics are primarily characterized by: a neck-through-body construction; a reverse body shape with extended lower horn; a reverse peghead with the treble E tuner nearest to the nut; banjo-style tuners with rearwards buttons; and they are all equipped with mini-humbuckers built without adjustable polepieces. The early samples are characterized by a 2-piece full length neck and a convex heel where the neck blends into the body. By late 1963, production models were released with a stronger 9-piece lamination and a smaller squared-off heel. A painted-on red Firebird emblem was also added on the white pickguard...The Firebird V was the equivalent of the SG (ex Les Paul) Standard and, compared to the FBI, the model is characterized by: a bound rosewood fingerboard with trapezoid inlays; two pickups; individual volume and tone controls for each pickup; a 3-way toggle switch for pickup selection; a fully adjustable Tune-O-Matic bridge; a Deluxe Vibrola tailpiece with lyre-engraved coverplate…CMI and Gibson took the decision to discontinue the original Firebirds in early 1965 and by June a new breed of models (a.k.a. the 'non-reverse' Firebirds) was announced" (A.R. Duchossoir, Gibson Electrics -- The Classic Years, pp. 198-199).

"The Firebirds flew. They didn't soar, but they were no turkeys. Then Gibson 'fixed' them. The first fix was understandable: putting the tuners on the bass side of the headstock for easier access. But then Fender complained that the Firebird infringed on its patented offset-waist body design, so the body was changed to a non-reversed shape and made shorter and fatter-looking. The neck-through was replaced by a glued-in neck. And on the lower two models, single-coil soapbar pickups were substituted for the Firebird-style humbuckers: The only thing that was really fixed was the Firebirds' goose. They were gone by 1969" (Walter Carter, Gibson Guitars: 100 Years of an American Icon, p. 237). (#2261)