Retrofret Stock # 8264. Gibson L-5CN Model Arch Top Acoustic Guitar (1962), made in Kalamazoo, Michigan, serial # 61253, natural lacquer finish, maple body and neck, spruce top, ebony fingerboard, original brown hard shell case. This is a well-played early 1960s L-5C, a guitar built in ever-decreasing numbers in the 1960s but still the epitome of Gibson's carved-top heritage. By this time these full-body carved-top guitars were ordered only occasionally; only 12 natural-finish L-5CN models left the factory in 1962, and all of 4 the next year. In the early 1960s even dedicated jazz and session players were most commonly buying fully electric archtops, and new construction of purely acoustic carved-top instruments was tapering off. This guitar carries a "Custom" truss rod cover, although it appears to not have any non-stock features we can see. The beautifully grained spruce top and flame maple back are still hand-carved, as they had been since the 1910s. The traditional multiple W/B/W celluloid bindings are on every edge, and the headstock bears the L-5 "flowerpot" inlay that has always marked this model. The adjustable rosewood bridge, engraved gold-and-silver L-5 tailpiece, and gold Kluson Sealfast tuners are other trademark features. The finish is a beautifully ambered natural lacquer.The neck profile on this guitar is the very flat, thin, back-to-front "D" common to other Gibsons of this period, but rarely encountered on a purely acoustic L-5. The neck construction is the then-recently introduced 5-way maple-ebony laminate, in place of the older 3-piece style. By 1962 a player desiring a top-grade archtop acoustic guitar had only two remaining choices: Gibson or John D'Angelico in New York. This L-5CN is an ample demonstration of the level of craftsmanship Gibson's old-like workers still brought to their traditional showpiece acoustic instruments, even in an era when electrics were the main focus.Overall length is 41 7/8 in. (106.4 cm.), 17 in. (43.2 cm.) wide at lower bout, and 3 3/8 in. (8.6 cm.) in depth, measured at side of rim. Scale length is 25 1/2 in. (648 mm.). Width of nut is 1 11/16 in. (43 mm.). This old L-5 has a beautiful worn-in and "smoked" patina, and was definitely someone's gigging instrument for some time. The top finish shows numerous small dings and dents, with a larger case lid ding into the wood by the treble side f-hole. There was a spruce grain crack running through this that has been sealed and lightly touched up, with a second similar grain split just below it treated in a similar manner. The guitar shows no other visible cracks. The top binding in the bass side waist area has shrunk up a bit, and the gap has been filled solidly but not as cleanly as we might prefer. The top finish has an isolated spot of pick wear just above the strings, and one odd patch of missing finish just by the top edge of the pickguard. This was likely due to reaction from the cabling to some sort of pickup mounting -- there a couple of small pinholes on the side of the fingerboard extension attesting to some sort of electrification in the past. The gold plated parts show a decent amount of loss, as would be expected. There is wear to the back of the neck on both sides from play, and the guitar has been very nicely refretted not too long ago, so the frets show virtually no wear. The pickguard is a very accurate repro using the original bracket. The original guard itself is still present but is suffering fairly serious celluloid deterioration. Other than this, the instrument remains all original except for a strap button added to the neck heel. This L-5 plays wonderfully, with a well-rounded but still crisp sound and is a great example of the final generation of these really high-grade carved guitars from Kalamazoo. It is still housed in the original brown 1950s-style case, quite well-worn but still functional. Excellent - Condition.

Retrofret Vintage Guitars

Retrofret Vintage Guitars

natural lacquer
Original Hard
Retrofret Vintage Guitars
718 237 6092
Brooklyn New York, NY
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Retrofret has been shipping instruments throughout the USA and worldwide for nearly 20 years. We have yet to experience a single instance of damage (...I hope this doesn't jinx our perfect record). Retrofret's shipping department can send parcels via UPS, Fedex, USPS, BAX, DHL and DSV Air and Yusen Air Cargo. We ship instruments and other items on a 48 hour approval basis once we received payment in full. Shipping charges and taxes are not included in the prices listed. Mail order shipments within New York are subject to sales tax of 8.875%. Shipments out of state are not subject to NY city and state tax, although the buyer assumes all other tax requirements of their municipality. Before sending payment, please call to confirm the instrument's availability and the cost of shipment.

If you decide not to keep an instrument shipped to you, notify us by telephone, fax or email within 48 hours of receiving it. We'll take note to expect the return. Please ship it in the same carton via UPS, insured for its full value. We will refund the price of the instrument as soon as we receive it, provided it arrives in the condition in which it left the shop. The customer is responsible for all shipping charges.