Presenting the JHS "Supreme" Fuzz pedal, a 1972 Univox Super-Fuzz Replica. The Supreme is part of JHS's new "Legends of Fuzz" series of replica pedals: "At JHS Pedals, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound." In the late 1960â€™s, Japan was bursting at the seams with amazing guitar pedal companies and innovations. One of the most sought after effects from this time and place is the Univox Super-Fuzz. This effect is an octave fuzz that turns any note or chord into a thick and searing texture. Playing a high octave up alongside the distorted note, this is an effect that demands your attention. First produced inside of a large amp head sized multi-effect unit called the Honey* Psychedelic Machine (1967) and then re-released a few months later as a standalone pedal called the Honey* Baby Crying Effect. Honey* soon became Shin-Ei* and by 1968 Shin-Ei* became the guitar pedal powerhouse of Japan, making Shin-Ei* branded effects as well as producing those same circuits for dozens of brands like Shaftesbury, Kent, Crown, Jax, and America's Univox. This circuit found its way into the lineup of brands all over the world. Thanks to product placement by Pete Townsend of The Who, the Univox Unicord Super-Fuzz version found fame above all the rest. First produced in a simple, unassuming grey metal enclosure (1968), it transitioned into a more eye catching form factor utilizing a large rectangle foot pad that said SUPER-FUZZ in large letters across the top (1970). Red and blue, black and grey, white and black, you could pick your color. The Supreme is an exact replica of Josh's favorite Super-Fuzz in his personal collection, his extremely rare black and grey model. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and thatâ€™s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11. The controls are Volume and Expand. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. On the side you will see two buttons. The â€œToneâ€ button engages a mid cut that flattens out the Supremeâ€™s attack and makes it more submissive. Think of this as a preset scooped mid EQ control. The â€œModeâ€ button activates JHS's very own â€œJHS Modeâ€ setting. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume/boost. If you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it.
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We ship most any order placed before 3pm CDT Tuesday through Friday the same day. Orders placed Saturday-Monday will ship the following Tuesday. For new products we will only ship to delivery addresses within the United States. Most pedals are shipped via Priority Mail. Guitars and Amplifiers are shipped via UPS Ground. Other shipping methods are available. Please contact prior to placing your order for shipping cost quotations to your delivery address.
The Guitar Sanctuary does accept returned items as long as arrangements are made for such within 48 hours of purchase/receipt. Returned items MUST be in the original condition and packing (including owner’s manual, un-used warranty card, any other items that came with the item) in order to qualify for a refund. No refunds are available for “special” ordered guitars or amplifiers (items that were not in stock, but rather ordered per the customers request. The customer is responsible for all freight charges and credit card processing fees incurred in the course of the sale. We cannot refund freight charges. The Guitar Sanctuary will charge a 20% restocking fee for returned effects pedals and amplifiers and a 10% restocking fee for Guitars. The only exceptions are for products that are defective. Please only purchase an item after you are certain it is right for you! Layaway: You can lay-a-way any product for a maximum of three months. Lay-a-way requires a 25% non-refundable deposit. We will not be able to ship the item until it is paid for in full and as a lay-a-way purchase, does not qualify for the 48 hour approval policy. International Sales: We can ship most guitars and other products internationally. We prefer money orders, cashier’s checks, or bank wire transfers in U.S. dollars. Shipping quotes are only valid for 48 hours. Please consult with your local officials about taxes, duties, currency exchange rates, etc.