Description

Louis Panormo was the most successful of all nineteenth-century London guitar makers. His clients included Trinidad Huerta Madame Pratten and probably Fernando Sor. He built guitars from 1822 to around 1855 when his nephew took over the business.

Panormo, located at 46 High Street Bloomsbury in London described himself as ‘The only maker of Guitars in the Spanish Style’ and offered ‘Guitars of every description from 2 to 15 Guineas’

This particular instrument has features in common with Panormo’s top regular model, with Brazilian rosewood back and sides and a mother of pearl rosette. It was made in the Spanish style with seven fan braces (yes before Torres). It is unsigned so we refer to it as a Panormo-School guitar — a guitar made in the Panormo workshop. Its top is identical to a well-documented and signed Panormo made in 1832.

The beautiful tuners are by Baker and are over one hundred and seventy years old. I find it incredible that metal workers of the time were able to make such beautiful tuners. In 2014, these tuners were rebuilt at great expense by master machinist Jorg Graf of Graftuners.com. They feel like modern tuners but retain their historic appearance.

I especially love the beautifully turned bone end pin and two performance pins on the back. These delicate pins rarely survive through the years. The two back pins would have had a ribbon running between them. This passed through a tiny hook sewn to the bust of a woman’s dress to hold the guitar in a position ideal for playing.

This Panormo-School guitar is an unusually complete and playable instrument with remarkably full tone and fully playable up the neck. I am always astonished to hear how full these tiny guitars are. Unlike steel string guitars, there is surprisingly little difference in volume and balance between a full size and the romantic era smaller size instruments.

A joy to play, this 175 year old guitar represented the cutting-edge in concert quality guitars in its day. This fine example should continue to make music for centuries to come!

Year Condition Color Case
1830 Good Natural Original Hard

$3,942.02

The Twelfth Fret
The Twelfth Fret
(416) 423-2132
Toronto, Ontario
1:09 AM
12-6 Monday to Thursday 12-7 Friday 11-5 Saturdays Closed Sundays

1. We accept Visa and Mastercard through our secure online payment processor. We do use 3d Secure, aka Verified by Visa and Mastercard Secure Code. If the card cannot be verified through this method, shipping delays may occur. 2. We accept wire transfers - please contact us for details. 3. We do not accept cheques. Our banks hold cheques far too long for this to be useful. 4. In person we're happy to accept cash or verified debit cards. 5. Normally, on our own website (www.12fret.com) we list prices primarily in Canadian dollars. On Gbase, we've converted the Canadian prices to US dollars at a 1.3% exchange rate. This rate is subject to change, reflecting current currency conversion rates.

Our primary carrier is FedEx. We also use Canada Post where rates or delivery schedules may provide better service to our customers. While we try hard to ship promptly, we will hold shipments if we determine that weather issues may cause damage to the shipped item.

Returns of Guitars, mandolins, banjos, amplifiers etc. All sales are final. We have a no-returns policy with a number of exceptions. To view our full return policy, and Terms and Conditions, please see the page at the link below: http://www.12fret.com/the-twelfth-fret-terms-and-conditions/