Description

Lynx Aurora 16-VT Variable Trim D/A & A/D Converter

Description:

Aurora 16 Variable Trim Model from Lynx

What we think:

Lynx has stayed comfortably ahead of the curve with their Aurora 8 and 16 converter systems. By not settling on one interfacing solution, they’ve in essence future-proofed their design. As computer interfacing standards change (the latest iteration being Thunderbolt), Lynx has adapted and produced top quality expansion cards to meet in industries ever evolving standards (option card for PT HD and HDX systems are available as well). I take solace knowing that the investment I have made in my Aurora is a sound one. The system can adapt and ultimately not leave me feeling like I have to re-invest large amounts of money every time I update my recording computer. 
 
These converters are truly world-class and should be a consideration for any pro tracking or mastering facility. When I track through the Aurora my projects exhibit an unparalleled depth, width, and openness that have often eluded me with previous systems. With Aurora conversion there is no color - just pure, clean, and accurate audio signals straight to my DAW. This allows me to dial in the exact amount of appropriate color through my mics, preamps, outboard processors and plugins knowing that 100% of that sound will be retained and untouched through the Aurora’s pristine and open conversion stage. 
 
As a dedicated converter, the Aurora does not offer any headphone amp or monitor control (outside of their software mixer), however what it lacks in features, it more than makes up for in top notch conversion quality. Combining an Aurora with a Dangerous Monitor ST or Presonus Central Station and you’re equipped with all the monitoring power you need, in addition to a more pristine and accurate converter quality than what you’d find in most “all-in-one” recording interfaces. 

Manufacturer Description:

Expanding its line of Aurora 192 kHz AD/DA converters, Lynx Studio Technology has announced the Aurora 16-VT Variable Trim model. Aurora 16-VT allows users to manually set the analog input and output levels within a range of +8.5 dBu to +24 dBu. 32 miniature trim pots are mounted on the primary circuit board to allow the adjustments.

Since 2004, Aurora has established its position as one of leading high end converters for recording studios around the world. Some studios, that wanted to gain the advantage of Aurora’s pristine audio quality and versatility, also required the ability to manually set the levels for optimum performance. The Aurora 16-VT provides this capability, while preserving Aurora’s other features, specifications and signature transparent sound.

One of the Beta testers for the Aurora 16-VT was producer/engineer Fabrice Dupont, a longtime Aurora owner. According to Fab, “After receiving the trimable version of the Aurora I can tell you that I think it's a winner product. I cannot tell a sonic difference between my regular Auroras and the variable trim one. They sound identical to me. Overall, this option makes replacing my old converters truly seamless. It actually feels like a true upgrade since any mix recalled with the Auroras now gain stages the same as my old converters, but sounds noticeably better.”

Bob Muller of Dangerous Music was another Beta Tester. “I think the VT is a great feature, and particularly essential to any facilities that are going to be using Auroras in a mastering setup. A lot of mix rooms are branching out into mastering and like to avail themselves of their mix rig I/O converters for both applications. I was able to calibrate the whole unit to -18dBFS = +4 dBU in under 10 minutes.”

Aurora converters are preconfigured for three voltages. Aurora 115 volt models are available in the US, Canada, Mexico and Brazil. The 100 volt models are available in Japan only. 230 volt units are available throughout the rest of the world through authorized distributors and retailers.

Features of the Aurora converters include:

  • Analog input and output levels can be set between +8.5 dBu and +24 dBu
  • 24 Bit / 192 kHz Mastering Quality A/D and D/A conversion
  • 192 kHz AES/EBU I/O Supporting Single and Dual Wire Modes
  • Single Rack Space Configuration
  • Extensive Remote Control Capability via Lynx AES16, IrDA, FireWire and MIDI
  • On-board 32 Channel Digital Mixer Provides Flexible I/O Routing
  • Word clock I/O with Lynx SynchroLock™ Sample Clock Technology
  • Connectivity via PCI, PCI Express with AES16 cards, ADAT, ProToolsHD, FireWire, MADI and USB 2.0

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