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Description

PEDAL CRUSH explores guitar effects pedals as a tool for everyone: showing how all musicians – producers, DJs, instrumentalists, vocalists and of course guitarists – can benefit creatively from using stompboxes in different ways.

800+ PEDALS
50 ARTISTS AND MAKERS
200+ TIPS AND TRICKS

The book contains everything – from starting out with a pedalboard to concepts, purpose, history and creative possibilities of specific effects and pedal types. Presentations of both popular and rare pedals, contemporary, boutique, and vintage, as well as lots of illustrated tips and tricks. PEDAL CRUSH takes the reader on a unique journey of discovery, resulting in clarity and expanded knowledge of effects pedals and their creative, musical possibilities.

Interviews with artists using effects pedals

Like in our two previous books, readers will meet a range of inspiring artists ranging from known guitar masters to creative artists. Get inspiration from Amulets, Andy Martin, Anne Sulikowski, Daniel Steinhardt (That Pedal Show), Data Choir, David Torn, Dub FX, Ed O'Brien (Radiohead), Gaz Williams, Hainbach, Jennifer Batten, Joe Barresi, Kid Koala, Lara Somogyi, Lisa Bella Donna, Lisa Molinaro, Matt Johnson (The The), Michael Britt, Nels Cline, Nick Reinhart, Sarah Lipstate, Stefan Fast, Trentemøller, Tycho, and Unknown Mortal Orchestra.

Interviews with pedal makers and brands

We interviewed some of the pedal creators and brands who have shaped the scene: Alexander Pedals, BOSS, Chase Bliss Audio, Death by Audio, EarthQuaker Devices, Electro-Harmonix, Empress Effects, Fairfield Circuitry, Gamechanger Audio, Glou Glou, Hologram Electronics, JHS Pedals, Keeley, Meris, Montreal Assembly, Mu-Tron, Rabbit Hole FX, Red Panda, Reuss Musical Instruments, Spiral FX, Strymon, TC Electronic, and ZVEX.

Tips, tricks, and techniques

Perfect your pedal game with over 200 tips and techniques. These range from simple things like how to order your pedals, to creative ideas, such as how to create sputtering spacial glitches with gated reverb. Plus numerous personal tips from artists and makers.

Main topics

The book is divided into seven main sections organized by effect type. Each section introduces technical, usable, and audible features of the effect, and ramps up from basic options to effects pedals with more advanced combinations. The seven chapters of PEDAL CRUSH all contain contemporary effects as well as historic touchpoints, vintage rarities, and "oddballs."

INTRODUCTION - effect chain, amplification & integration, power, control, the pedalboard, multi-fx, fx-boards, software
GAIN - Boost, Fuzz, Distortion, Overdrive, Bit Crush
DYNAMICS - Envelope, Compressor, Noise gate
TIME - Delay, Reverb, Freeze, Glitch, Granular, Doubler, Looper
MODULATION - Tremolo, Flanger, Ring Modulation, Rotary, Phaser, Vibe, Chorus, Vibrato
PITCH - Octaver & Tracking, Pitch Shifter, Harmony, Synth
FREQUENCY - EQ, Filter, Wah, Talkbox & Vocoder
Timeline, glossary, and resources
PEDAL CRUSH is written by Kim Bjørn and Scott Harper (Knobs) with help from a team of great editors, advisors, and journalists. Editing and additions: Mike Metlay. Assistant editor: Diana Smethurst. Additional texts and content contributions by Alex Maiolo, Dan Orkin, Peter Fernando, Stefan Fast, Andy Martin, Brian Wampler, Kristoffer Høeg, and others.

Rivington Guitars

Rivington Guitars

2020
Pedal Crush
Brand New
26 Years
Rivington Guitars
Howie Statland
212-505-5313
New York, NY
3:09 PM
We are open every day! Monday-Saturday 11p.m.-7p.m. Sunday 11pm-6pm

We accept Cash, Visa, Mastercard, American Express, money order, and personal check (items sent after check clears). Please be advised, all credit card orders are subject to a 3% re-stocking fee. Cash, check or money order is exempt from this fee.

We use UPS ground for shipping. We can work out overnight shipping on a case by case basis. Buyer pays all shipping charges.

All Sales Final. The only exception is internet sales. Please make sure you get an in-hand description for guitars purchased via the internet. 24 hour approval period on internet sales. After 24 hours, no returns. Buyer assumes all shipping charges. If we agree to a return, as in an internet sale, instruments must be returned in the condition they were sent. Shipping costs will be deducted from the return, and buyer will assume these costs. If we accept a return there will also be a 5% re-stocking fee. All merchandise sold is in used - as is condition. All sales final. If there is an exception made on any return over 24 hours, there will be a 15% re-stocking fee to the customer. No returns whatsoever on guitar parts.