Schoeps CCM 3 Omnidirectional Compact Microphone
Compact Omni Microphone for recording in a diffuse sound field
What we think:
All capsules are available in matched pairs with official Schoeps documentation. For matched pairs multiply the cost of the microphone exactly by two and then add $50 for the matching fee! The amplifier bodies are available in sequentially serial numbered pairs at no additional charge. Any Schoeps product not found on our webpage can be purchased through Sound Pure. Please call and talk to one of our staff members to inquire about the price and availability! Additionally, contact us for more information regarding personalized laser engraving on your Schoeps microphones.
- omnidirectional pattern
- diffuse-field capsule
- for miking distances at which the predominant sound is no longer direct
- useful for relatively distant placement in reverberant environments – as a room microphone, for “spaced microphone” stereo pickup and in “Decca Tree” arrangements
The CCM 2XS is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces. In such placement the integrated frequency response of this capsule is essentially flat; the on-axis high-frequency response elevation shown in the graph below is not heard as such. It is remarkable how well-focused a recording can be made with omnidirectional microphones at such distances, when the microphones have been designed and placed appropriately.
But when sound arrives from nearby sources in front of the capsule, high frequencies are distinctly accented, leading to a sound image with special brilliance.
If this type of microphone is used close to the sound source, the emphasis of high frequencies for on-axis sound incidence would become clearly audible, producing an overly brilliant sonic impression.
Since most recording today is miked more closely than in decades past, microphones such as the CCM 2S or CCM 2H are a reasonable norm for the majority of spaced-omni and “Decca Tree” applications. But if miking distances more typical of the mono and early stereo era are to be used, a capsule such as the CCM 3, with its full diffuse-field equalization, may well offer the optimal balance of focus, depth and spaciousness – and the KA 40 accessory spheres can then add a further measure of presence to the sound at such distances, if desired.
The CCM 2XS is also often used as an ambient room microphone.