Description
An evolution of its compact effects pedals, each pedal Strymon’s V2 line of effects is packed with new features and enhancements designed to give users additional flexibility, power, and ease of use, both on the stage and in the studio! 

Tape: The First Effect
Add warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Effortlessly create a huge range of beautiful, distinctive, and enveloping vintage sounds.

Our journey begins with the early recording studios of the ’50s and ’60s. The introduction of reel-to-reel tape machines and the creative engineers that used them brought on some of the fattest sounds imaginable. These early machines really were the first effects pedals — they just wouldn’t have fit on your pedalboard!

Mid-Century Maverick.
From the inherent warmth and luscious tape saturation to the forgotten art of how these machines were manipulated, Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.

Deco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening your tone with subtle tape-driven transparent overdrive. The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.

Classic Sound, New Features.
Our second generation Deco gives you the same gorgeous reel-to-reel tape sounds from our original, while adding several significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.
  • New Tonal Options - We’ve added new controls for even more sonic flexibility. Deco now comes with an all-new cassette tape voicing that employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone. In addition, a new dedicated Tone knob lets you adjust the tone of the Tape Saturation exactly to your liking, from dark to bright.
  • MIDI - Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW vial
  • Deco’s EXP/MIDI jack or USB-C connection. Lag Deck delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.
  • Hardware Improvements - A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Tape Saturation
Give your sound the smooth and warm qualities of analog tape, along with the enhanced touch sensitivity and playing dynamics that are intrinsic to the inner workings of tape machines. Achieve incredible transparency at low levels, with reduced high frequency spikes and a harmonically rich low end. Turn up the Saturation to increase the amount of tape drive, dynamic compression and distortion.

Deco is perfectly suited for a last-in-chain, “always on” sweetening effect. Everything sounds better on tape. Want to push the limits of tape beyond what was originally possible? Use Deco as a tape-style transparent overdrive—crank the Saturation all the way up to “peg the meters” and gently overload the machine’s input.

Doubletracker
Go back to the early days of recording studios, where a few creative audio engineers discovered a new world of augmented sound by pushing the limits of studio tape machines. By inventing automatic doubletracking, they introduced echo, flanging, and chorus to the world of recorded music.

Intensify and widen your sound with Deco’s Doubletracker controls. Turn the Lag Time to obtain classic slapback tape echo, spacious doubletrack chorusing, and mind-bending tape flanging. Add random modulation with the Wobble control and go from very subtle movement to more extreme undulations—just like having a recording engineer vary the speed of the machine.

Add warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Deco is a jack of all trades capable of creating a huge range of beautiful, distinctive, and enveloping vintage sounds.

Tape Saturation Controls
Deco’s Tape Saturation side features controls for dialing in everything from light, transparent saturation all the way to smooth, overdriven tape distortion.

The Saturation knob allows for a wide range of tones that range from subtle saturation and compression at lower levels, to transparent tape overdrive at its upper limits.

An adjustable Volume control for Deco’s Tape Saturation lets you raise the output volume when using Deco as a boost, or dial it back to achieve unity gain.

Our new generation of Deco features a dedicated Tone knob that lets you adjust the tone of your Tape Saturation, from darker to brighter.

The new generation of Deco also introduces a Voice switch for an expanded range of available sounds. The Voice switch has two settings:
  • classic: produces the response and saturation characteristics of 2-track mastering reel to reel tape machines.
  • cassette: employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a musically compressed, fat tone and a great-feeling response.

Blend Type
Adjusts phase and internal routing to customize tone and low-end response:
  • sum: decks are in phase
  • invert: Lag Deck is phase inverted
  • bounce: right Lag Deck is bounced to left input for stereo ping-pong or mono double-echo

Lag Time
Simply by turning Deco’s Lag Time knob, you can unlock a whole variety of organic, tape based modulation and delay effects.

When adjusting the delay offset between Deco’s reference deck and the Lag Deck with the Lag Time knob, you can achieve everything from tape flanging at lower settings (-.3 to 3ms), increase that a bit for lush tape chorusing (3 to 50ms), followed by snappy slapback delay at longer delay times (50 to 150ms), all the way to spaced out tape echoes (150 to 500ms).

Doubletracker Controls
In addition to Lag Time, Deco’s Doubletracker features additional controls to help you achieve a wide variety of tape based effects.

The Blend control sets the mix level between Deco’s Lag Deck and Reference Deck, and can be lowered to hear more of the Reference Deck for less doubletracking, or raised if you want to hear more of the doubletracking effect.

Deco’s Wobble knob adds random tape speed based modulations to the Lag Deck. Go from very subtle movement to more extreme undulations — just like having a recording engineer vary the speed of the machine. Wobble is super handy to increase the depth of the modulation effect you hear when Lag Time is set to act as a tape flanger/chorus, or use it to add modulation to the Lag Deck when set as a slapback or tape echo.

Wide Stereo
Deco gives you the option for extremely wide stereo imaging to broaden and intensify the sound of your stereo rig.

Wide Stereo Mode sends the mono input (summed if using a stereo input) to the Left channel through the Reference Deck, and to the right channel via the delayed Lag Deck to create an adjustable stereo spread.

The Blend control acts like a pan control by adjusting the relative levels of the two tape decks.

Auto-Flange
Press and hold the Doubletracker Bypass footswitch to achieve a recording studio-inspired through-zero flange effect.

This engages a “virtual audio engineer” manning the faders and tape reels to create a smooth and predictable through-zero flange experience on the fly.

After releasing the footswitch, the controls are smoothly returned to their previous settings.

MIDI
Our new generation of Deco features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Deco EXP/MIDI jack or USB-C connection. Lag Time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

Remotely bypass or engage the pedal, sync Lag Time changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.

True & Buffered Bypass
Deco lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.

JFET Input
Uncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Deco feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.

Stereo In & Out
No need to make compromises when it comes to signal routing or pedal placement — Deco features full stereo in/out capabilities.

A single TRS input jack allows Deco to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set Deco for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use Deco as a stereo effect.

Line/Instrument Level
Pedals aren’t just for guitarists. Deco’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage.

By setting Deco to line level input mode, you get 10dB of added headroom, allowing you to use Deco with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.

Powerful New ARM Processor
Significant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.

Ins, Outs, and Switches
  • High impedance ultra low-noise discrete Class A JFET TRS stereo input.
  • Low impedance independent TS stereo outputs.
  • Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
  • USB jack for controlling via MIDI from a computer or for performing firmware updates.
  • Dedicated Tape Saturation On/Off & Doubletracker On/Off footswitches

Audio Quality
  • Premium JFET analog front end
  • Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
  • 520MHz ARM Superscalar processor
  • 32-bit floating point processing
  • 20Hz to 20kHz frequency response
  • Audio Input Impedance: 1M Ohm
  • Audio Output Impedance: 100 Ohm

More
  • Strong and lightweight anodized dark gray aluminum chassis
  • 9V DC power supply included
  • Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current.
  • Dimensions: 4.5” deep x 4” wide x 1.75” tall
Chicago Music Exchange

Chicago Music Exchange

Call
Strymon
Brand New
18 Years
$379
Chicago Music Exchange
Chicago Music Exchange
773-525-7773
Chicago, IL
10:49 PM
Monday-Saturday 11 A.M. to 7 P.M. Sunday 11 A.M to 5 P.M.

Payment Terms - Orders Internet orders may be paid for using the following methods: VISA, MasterCard, American Express, Discover, and PayPal. For phone or mail orders you may pay money orders and cashier's checks by mail. Just call us at 773-525-7773 to place your order. All non-credit-card orders are subject to a 10-business-day hold. We do not accept international credit card or PayPal payments from international accounts. For international security reasons, please call the store to arrange a Bank Wire: +01-773-525-7773.

Shipping Charges - Taxes and Title Separate charges for shipping and handling will be shown on your order form. As a security precaution, initial orders and orders shipping to alternate addresses may be held for extended verification. We reserve the right to make partial shipments, which will not relieve you of your obligation to pay for the remaining deliveries. All items purchased from Chicago Music Exchange are made pursuant to a shipment contract. This means that the risk of loss and title for such items passes to you upon our delivery to the carrier. The published rates are for US domestic shipping only. Contact us directly if you wish to place an international order. For more information on our shipping policies, including rates, delivery times, and delays, please visit our website at chicagomusicexchange or call us at: 773-525-7773. If applicable, a separate charge for taxes will be shown on the invoice. We are required to collect sales tax on all orders shipped to Illinois.

3-Day / 15-day Return Policy If you are not completely satisfied with any product, return it for a full refund of the product purchase price, full credit, or exchange of your choice. We give you 3 days from the shipping date on Vintage instruments, and 15 days on New instruments. Credit card returns are issued a credit for purchase price. Refunds are made for product value only, excluding shipping and handling charges. New, Unopened items: You may return most NEW, untouched, unopened items within 15 days of delivery for a full refund. if the return is a result of our error (you received an incorrect or defective item, etc.) we'll also pay the return shipping costs. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. Vintage, Used items: We have to evaluate vintage and used guitars, amps, and other items on a case by case basis. We spend a lot of time with you and the item before your purchase to try to avoid any surprises after your purchase. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. You should expect to receive your refund within four weeks of giving your package to the return shipper, however, we strive to issue your refund sooner. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days). Send your return to: Chicago Music Exchange 3316 N Lincoln Ave Chicago, IL 60657 The following items are returnable only if defective OR unopened or unused: strings, harmonicas, microphones, cleaners, polishes, and polishing cloths. Software/soundware, cassettes, CDs, DVDs, and videos may be returned for credit only if they are in their original, sealed packaging. If defective, these items will only be exchanged for the same product. For complete details on our guarantees, shipping, and return policies, please contact our Customer Service Department at 773-525-7773; fax us at 773-525-2775; visit our website at www.chicagomusicexchange.com, or write us at Chicago Music Exchange, 3316 N. Lincoln Ave, Chicago, IL 60657.