Taylor 254ce 12-String Grand Auditorium Sitka/Rosewood Natural ES2
Taylor 254ce 12-String Grand Auditorium Sitka/Rosewood Natural ES2
Crafted with solid tops for optimal projection, clarity, and tonal balance, Taylor’s 254ce 12-String Grand Auditorium sitka/rosewood ES2 models offer the balanced highs and supportive lows of the brand’s flagship, medium-sized body shape, generating a punchy, bold voice with clear projection and power, while providing additional harmonic richness provided by the octave pairs. Plus, Taylor’s ES2 electronics provide ample tonal control and responsiveness.
200 Series—Sitka/Rosewood
Taylor’s 200 series is crafted with solid tops for optimal projection, clarity, and tonal balance—so, whether you’re a new player on the hunt for inspiration from a new instrument, or an experienced guitarist looking for an accessible pro-level tool, a Taylor 200 series will cover just about any application. The solid Sitka spruce top on each of these 200 series guitars generates a punchy, bold voice with clear projection and power—with a dash of warmth and sparkle from the layered rosewood back and sides, adding a beloved acoustic guitar aesthetic in a durable, affordable package.
Grand Auditorium
The brand’s flagship body shape, the Taylor Grand Auditorium’s medium size offers balanced highs and supportive lows, making it a versatile choice that’s fit for nearly any playing style. Boasting bold, balanced tone, the Taylor Grand Auditorium provides vibrant, well-defined sound across the entire tonal spectrum, thanks to a more tapered waist than a traditional dreadnought, making the Taylor Grand Auditorium the Swiss Army Knife of Taylor’s body shapes.
Q: Does a cutaway diminish a guitar’s tonal output?
A: Not in a discernible way. We recommend you decide based on whether you want that extra upper-fretboard range; or, if you simply have an aesthetic preference—either for a more traditional, symmetrical look of a non-cutaway, or in favor of the sleek, more modern contouring that the cutaway offers.
V-Class Bracing
The Taylor Grand Auditorium features Taylor’s innovative new V-Class bracing, which lets the soundboard of the guitar vibrate naturally, increasing sustain and overall cohesiveness, and generating additional volume without sacrificing sustain. This design puts the body more in tune with the strings, improving articulation and harmonic alignment, resulting in a sound that is optimally warm and seasoned, nicely blended, and full of luscious low end without being muddy.
ES2 Electronics
The Taylor Expression System 2 (ES2) delivers the latest technology in Taylor acoustic guitar amplification. The heart of the ES2 system is Taylor’s patented behind-the-saddle pickup, featuring three uniquely positioned and individually calibrated pickup sensors. The new positioning enables the piezo pickup’s crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle, with three pickup sensors installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle. Together with Taylor’s custom-designed preamp, this ES2 system produces exceptional amplified tone and responsiveness.
Scale Length: 25-1/2"
Nut & Saddle: Tusq Nut/Micarta Saddle
Bracing: Forward Shifted Pattern
Truss Rod Cover: Black Plastic
Pickguard: Tortoise
Number of Frets: 20
Tuners: Die-Cast Chrome
Case: Gig Bag
Body Length: 20"
Body Width: 16"
Body Depth: 4 5/8"
Binding/Edge Treatment: None
Top Finish: Satin
Back Config: Layered
Backstrap Finish: None
Rosette Size: Three Ring
Bridge Inlay: None
Back/Side Finish: Satin
Armrest Binding: None
Backstrap Wood: None
Rosette Mat.: Pearloid
Stain/Sunburst: None
Wedge: None
Armrest: No
Neck Width: 1-7/8"
Fretboard Inlay: 4mm Dot Italian Acrylic
Fretboard Binding/Edge Treatment: None
Heel Cap Binding: White
Type of Neck Joint: Scarf
Neck/Heel: Tropical Mahogany
Fretboard Wood: West African Crelicam Ebony
Neck Finish: Satin
Heel Length: 3-1/2"
Peghead Finish: Satin
Peghead Binding: None
Peghead Type: Standard
Peghead Purfling: None
Headstock Overlay: West African Crelicam Ebony
Peghead Inlay: None
Peghead Logo: Taylor Colorcore
Bridge Pins: Black
Buttons: Chrome
Fingerboard Ext: None
Edge Trim: Black/White/Black
Payment Terms - Orders Internet orders may be paid for using the following methods: VISA, MasterCard, American Express, Discover, and PayPal. For phone or mail orders you may pay money orders and cashier's checks by mail. Just call us at 773-525-7773 to place your order. All non-credit-card orders are subject to a 10-business-day hold. We do not accept international credit card or PayPal payments from international accounts. For international security reasons, please call the store to arrange a Bank Wire: +01-773-525-7773.
Shipping Charges - Taxes and Title Separate charges for shipping and handling will be shown on your order form. As a security precaution, initial orders and orders shipping to alternate addresses may be held for extended verification. We reserve the right to make partial shipments, which will not relieve you of your obligation to pay for the remaining deliveries. All items purchased from Chicago Music Exchange are made pursuant to a shipment contract. This means that the risk of loss and title for such items passes to you upon our delivery to the carrier. The published rates are for US domestic shipping only. Contact us directly if you wish to place an international order. For more information on our shipping policies, including rates, delivery times, and delays, please visit our website at chicagomusicexchange or call us at: 773-525-7773. If applicable, a separate charge for taxes will be shown on the invoice. We are required to collect sales tax on all orders shipped to Illinois.
3-Day / 15-day Return Policy If you are not completely satisfied with any product, return it for a full refund of the product purchase price, full credit, or exchange of your choice. We give you 3 days from the shipping date on Vintage instruments, and 15 days on New instruments. Credit card returns are issued a credit for purchase price. Refunds are made for product value only, excluding shipping and handling charges. New, Unopened items: You may return most NEW, untouched, unopened items within 15 days of delivery for a full refund. if the return is a result of our error (you received an incorrect or defective item, etc.) we'll also pay the return shipping costs. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. Vintage, Used items: We have to evaluate vintage and used guitars, amps, and other items on a case by case basis. We spend a lot of time with you and the item before your purchase to try to avoid any surprises after your purchase. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. You should expect to receive your refund within four weeks of giving your package to the return shipper, however, we strive to issue your refund sooner. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days). Send your return to: Chicago Music Exchange 3316 N Lincoln Ave Chicago, IL 60657 The following items are returnable only if defective OR unopened or unused: strings, harmonicas, microphones, cleaners, polishes, and polishing cloths. Software/soundware, cassettes, CDs, DVDs, and videos may be returned for credit only if they are in their original, sealed packaging. If defective, these items will only be exchanged for the same product. For complete details on our guarantees, shipping, and return policies, please contact our Customer Service Department at 773-525-7773; fax us at 773-525-2775; visit our website at www.chicagomusicexchange.com, or write us at Chicago Music Exchange, 3316 N. Lincoln Ave, Chicago, IL 60657.