This 12 String was the first wood bound guitar built in the New Yorker Classic style . It is a 16” non cutaway, oval hole archtop 12 string. Imported woods.excellent projection and tone. Headstock has a figured maple overlay with the D’Aquisto logo in pearl. A unique instrument.

A rare wide neck 000-21 . Herringbone rosette. Nice Brazilian rosewood back and sides. Rear X .A little wear but no cracks.lovely response.

A beautiful late fern F-5. Specs look like a ca 1929 carve, by serial number 1931 , by fon and Spann ship date a bit later. In near mint original condition, this mandolin has all the volume and projection one expects from a prewar F-5.frets are in great shape and neck angle is perfect. A fine...

A rare 12 fret 000-28. The instrument shows some playing wear but there are no cracks. The guitar has had a pro neck set and replica bridge by Ken Fallon. Huge voice and perfect playability. More photos soon.

A fine and early 1930 OM-28. Pyramid bridge. Repaired center seam with touchup by TJ Thompson. The back looks buffed .fine sound.

A stunningly clean and original AJ . About the cleanest one I have seen. Huge sound.Rosewood back and sides.. A rare model. Original red line case.

Fine sounding classic Herringbone D-28. Top crack repaired and some normal pick wear. A small filled screw hole on the back of the headstock. All straight and repaired, pro neck set by David Musselwhite. All bracing and bridge plate original.

A rare late modernistic model,from the master James D’Aquisto. The Centura was designed to be a versatile acoustic instrument built more like a violin ,with the top going all the way to the edge , enhanced with decorative purfling. Beautiful imported maple and spruce finished in a subtle sunburst....

A master work by the greatest , James D’Aquisto. This guitar design revolutionized the modern archtop guitar. An important instrument. 17”. Wide . Beautiful tone and response. Previously owned by George Benson. All original.