Jet City Guitars, LLC
Jim Brown
Seattle, WA
8:13 PM

Payment is by personal check or money order. Payment in full, including shipping and insurance, is required before shipment. Personal checks must clear your bank. Please specify preferred shipping method when you order the instrument and we will calculate the exact price for you.

We represent the instruments as accurately as we can. All instruments are shipped on 48-hour approval. If there is damage as a result of the shipping, please contact us immediately and we will deal with the insurance company. If the instrument is damaged in transit from you to me, then you are responsible for dealing with the damage and insurance. For refunds, all instruments must be returned in the same condition as we shipped them in.

All instruments are shipped on 48-hour approval. If there is damage as a result of the shipping, please contact us immediately and we will deal with the insurance company. If the instrument is damaged in transit from you to me, then you are responsible for dealing with the damage and insurance. For refunds, all instruments must be returned in the same condition as we shipped them in.

Found 18 matches

1946 C. F. Martin D-28

SN: 97969. Welcome return of a super-fine postwar herringbone featuring tons of tone, gorgeous straight grain Brazilian, and a perfect set-up. This is one of only 425 made in the final full year for the herringbone trim, first full year for the Sitka top, and second year for the tapered bracing. The BRW maintains the same high quality as Martin’s prewar builds. Nut width is 1-11/16ths with a...
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2014 Roy McAlister SmeckAlister

As I search the planet for great old vintage guitars, I’ve come to realize that one of the greatest builders of contemporary guitars is right here in my own back yard. Roy McAlister most famously builds guitars for David Crosby and Jackson Browne and has converted numerous Gibson Roy Smeck Stage Deluxe models for Browne as well. He is a player’s builder and many fine guitarists play Roy’s...
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1935 Gibson Roy Smeck Radio Grande

FON 85A. Extremely rare early 1935 Roy Smeck Radio Grande with Brazilian rosewood back and sides expertly converted from Hawaiian to standard play by Mark Tossman. The earliest Radio Grande builds were Brazilian and by 1936 all were East Indian Rosewood. This one is most certainly BRW and it’s a thrilling guitar in both appearance and performance. The conversion on this model is tricky and IMHO...
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1957 Gibson Country Western Model SJN Southern Jumbo

FON: U 1861-23. Hey cowboy, here’s a sweet rig to ride into the sunset; a 1957 Gibson Country Western Model in fine original condition. The Country Western Model is the blond “pardner” of the Gibson Southern Jumbo with the same appointments – parallelogram position markets, one-point pick guard, belly up bridge, torch inlay, and logo. These are versatile instruments known for more than country;...
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1941 C. F. Martin D-18

SN 79480 – A quick note to let you know the owner has reduced the price on this exquisite guitar. This consignment instrument is the cleanest prewar dreadnought I’ve ever had in the shop – and one of the best sounding. The 1941 Martins were the highest expression of the post-1938 years, employing the best materials and design ideas available before the wartime shortages-- Adirondack top with thin...
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1954 Gibson J-50

SN X8891. Here is a remarkably clean, great playing and sounding time machine that has been in my private collection for years. Introduced into production 1947, following a single batch in 1942, the J-50 is essentially a J-45 with a natural top. The architecture of 1954 edition is much the same as the banner years and one year before some unfortunate changes began to happen to the J-45 and J-50....
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1962 C. F. Martin 0-18T

SN 184177. Cool little tenor guitar in excellent condition from the heart of the folk era. Sitka top, mahogany back and sides, rosewood bridge and fretboard, bone nut and saddle. Lower bout measures 13.5”, upper bout just under 10”. Scale length is approximately 23”. The finish is original and in nice condition with light playwear and a ding or two. Typical outside pickguard crack which I’m...
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2009 National Style N

SN: 18506. NEW PRICE. German Silver Style N constructed with the same material and style as the Style N's of the late 1920's. The body, coverplate, and tailpiece are highly polished and nickel plated steel. A traditional sunburst maple neck in matte finish is bound in ivoroid, with a wide 1 13/16ths” nut, solid headstock fitted with vintage-style engraved tuners and 14 frets clear of the body....
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1997 Ron Phillips Tricone

SN: 16. German silver, curly maple neck with binding and simple inlaid woods. Ebony fretboard. Florentine style cutaway and woven grates. Hand spun cones installed with a sculpted t-bar from a proprietary alloy. The bridge, cover-plate, and headstock reflect Ron’s love of art deco style and mastery of materials. He details are immaculate down to the position markers which show a square detail...
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1927 C. F. Martin 0-28K

SN 33068 – The 0-28K played a leading role in Martin history as one of the first steel string models offered under the Martin imprint. The unique tone of Koa wood has given the guitars an appeal wider than the original Hawaiian music for which they were originally developed and many have been converted from Hawaiian to standard play. The 0-28K is the fancier of the two models Martin offered and...
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~1925 Weymann Orchestra Style 2 Model Guitar Banjo

Weymann Orchestra Style 2 Model Guitar Banjo (1925), made in Philadelphia, PA. An extremely rare instrument; Weymann's 1920's banjos are fairly well known in tenor form, but 6-string guitar variants hardly ever surface. The Style 2 Orchestra model Guitar-Banjo was a catalog item briefly in the mid-1920's when the Megaphonic line was line was introduced but was only made in very small quantities....
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1946 C. F. Martin 5-18

SN 95705: The Martin style 5-18 is the smallest guitar in Martin catalogs; at the lower bout, it measures 11.25″, while at the upper bout it is 8.25″. And its body is just 16″ in length, with a scale of 21.4″. In 1930s catalogs, the style 5-18 and the less expensive matching size 5-17 were listed with the caption “Junior, or three-quarter, sizes fine for children; easy to hold and to play.” They...
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2005 Santa Cruz Guitar Company D/PW

2005 Santa Cruz Guitar Company  D/PW 11 % off
SN: 4984. NEW PRICE. Here is a very finely crafted dreadnought in showroom condition with the forward X and scalloped bracing of a prewar Martin dread with East Indian Rosewood back and sides and style 18 type appointments. Santa Cruz considers this an entry-level guitar but the quality is comparable to their high end, particularly the tone woods. The Sitka top is quite select with fine, even...
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1956 C. F. Martin D-28

SN 152776: NEW PRICE: In the 50s Martin was still making guitars largely by hand in its old North Street plant and the quality is quite evident. Here is a gorgeous and very rare Martin sunburst in excellent condition from that period. The rosewood is quite select the Sitka top is very lively and resonant. There is the slightest bear clawing in the top, perhaps the reason for the sunburst. There...
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1946 C. F. Martin 000-21

SN: 93875. NEW PRICE. Very clean one-owner example of one of Martin’s long running models made in small quantities. I think of the 000-21 as the photo-negative image of its cousin the 000-28; with herringbone inlayed around the sound hole rather than the top, black pins with white dots as opposed to white with black dots, black and white binding versus the black and white rosette of the 28. But...
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~1928 Washburn 5238

SN: 1809. Washburn 5238 from the late 1920’s made in the Lyon & Healy factory in very nice condition. Many of the impressive instruments from lesser known brands of the 20’s and 30’s compete very favorably with Martin and Gibson in workmanship and tone. This 14" 00-sized competitor to the 00-28 is no exception. The very lightly braced top combine with the rosewood back and sides to provide rich...
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1935 National Style 0

SN: S6442. Killer sounding and rare 13 ½ fret National Style O with slotted headstock. Seeing the future the Dopyera brothers sought to create a 14-fret guitar without retooling the body. The result is a longer scale Style 0 made only a short period of time. The added scale length got them almost to 14-frets clear (but not quite) but it gave the guitar a different character. It has the bound...
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1954 Gibson J-50

One owner guitar from the heart of bluegrass country. At one time sported a Lester Flatt-inspired second pick guard . Some finish distress and playwear in that area sealed with french polish. Otherwise in excellent, played condition. Recent neck set and refret. Full height exact repro bridge. One case bite that turned into a 3" crack has been cleated and drop-filled. Fun player with great tone...
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