Lark Street Music
Buzzy Levine
Teaneck, NJ
6:04 PM
Monday -Thursday 10-7 Fridays 10-4 CLOSED SATURDAYS Sundays Noon-5 We are sometimes closed on other scattered days, so call first if you are making a trip to get here.

Cash, Money order, Bank check,Bank wire. Credit Card arrangements Personal Checks must clear, unless we know you. Bank Wires -- Call for instructions

We ship UPS and Fedex for ground service and air. DB Schenker is very good for foreign shipments, as they are less expensive. They will also let you pick up your instrument at the airport if you want to save some money. We've been packing guitars for 30 years, and find that most damage is due to poor packing. We know how to pack. We fully insure all shipments and we will take care of any claim that might arise. We guarantee that you won't have to fight with a shipping company if any damage occurs. We do that. Even though you have the guitar in your possession and have paid for it, we assume all responsibility.

You may inspect the instrument for 24 hours and return it if you don't want to keep it without explanation. If you need another day or two, simply call us and request more time, and we will work with you. We make agreements with you, and we keep them! Satisfaction Guaranteed. NO RETURNS ON NEW AMPLIFIERS OR SPECIAL ORDERS

Found 483 matches

1941 Martin 000-42

from 1941, Adirondack Spruce top, Brazillian back & sides, has had a neck set, has a new bridge, new small maple plate, 2 top cracks are repaired and touched up, many vertical scratches, still sounds like a top end pearly Martin and plays fine too
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1932 Martin 0-17

1932, all mahogany, 12 frets to the body, a few repaired tight cracks, no touch-ups, original bar frets, recent neck reset by us, a real good sounding & good playing golden age Martin in vgc++ condition
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1957 D'Angelico New Yorker

full body 18" New Yorker with beautiful curly maple back and sides and neck, sunburst finish, pearl block inlays in ebony board, full tone and great playability, great condition, a masterpiece
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1945 D'Angelico, John Excel

From 1945, sunburst, 17" non-cutaway, beautiful curly maple back, sides and one piece neck, original bridge in case is replaced by a beauty by John Monteleone, frets by Norio of NYC, made for Gravois Music in St. Louis, no cracks, no repairs, no touchups, AND has it's original pickguard in fine condition, very cool stripes engraved in the pearl block fingerboard inlays, excellent in every way
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1959 Fender® Precision Bass®

1959, sunburst, slab board, some pick wear and belt buckle wear, nice straight neck, vgc++, old black Fender case
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1997 RICHELIEU 5-String Banjo model 3133-S

Rock Maple pot with Whyte Laydie style tone ring, open back, 26 1/4" x 11", curly Maple neck, Ebony board with engraved inlays, near mint, sounds great
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1965 Fender® Precision Bass®

from 1965, Olympic White, excellent condition with no repairs other than a rewound pickup by Dom Ramos, beautiful tortoise guard, pearl dots in rosewood board, smooth and ultra clean all over!
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1990 Martin D-28

from 1990, all original, very nice shape, perfect action
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1962 Gibson LES PAUL/SG Standard

Les Paul Standard with SG body from 1961, vivid Cherry, rare Ebony tail block with short Vibrola, original PAFs, had a perfect neck re-set here at the shop by Ian Davlin, from the original owner's family, original case
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1931 National Duolian

1931, Dark green/grey frost finish, 12 frets to the body, flat ƒ holes, straight neck, great action, extra fine condition, a real gem
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~1970 Dobro Model 36?

ca 1970, round neck Dobro, Metal body engraved with Tulips, sunburst neck with Grovers, all original, vgc+, newer hard case
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1916 Gibson K-2 Mandocello

Gibson Mandocello from 1916, reddish sunburst, in fine shape & all original except for a splint in the top done by us, inlaid Handel tuners, exc, case tbd
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~1977 Gibson LAB Series L5 Amp

'70s, 100 Watts, 2-12" speakers, solid state, this is the amp BB King used, and not just like the one he used- this one he used on at least several gigs while in the New York area, no paper but from a rental business that rented it to Mr. King
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1997 Gibson CL-30 Deluxe

Flat top guitar, 1997, internal pickup, natural Spruce top, African Bubinga arched back and sides, abalone rosette, closed moustache bridge, rosewood board w/ abalone inlays, 25.4" scale, 1 23/32" at nut, some checking
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1995 Gibson L-4CES

1995 L-4CES, Sunburst, Master Model label, carved spruce top, 2 Gibson Humbucking pickups, gold hardware, L-5 style tailpiece and bridge, 24 1/2" scale, brown hsc
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2008 Tom Anderson Hollow T

Trans White, Telecaster style with chambered alder and swamp ash body, Buzz Feiten tuning system, 1 5/8" at nut
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2001 PRS Santana III

2001, Curly maple 10 top in trans black, Tremelo, 2 Santana III humbuckers, near mint, ohsc, papers
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1969 Fender® Mustang®

1969, Orange with competition stripes, faded a bit to mustard yellow, pearloid guard, repro tuners but originals with one bent stem in the case, original grey case, tremelo, vgc+
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1983 Fender® Telecaster® '52 Re-issue

1983, translucent butterscotch, all original but has 6-way Fender bridge with the original bridge in the case, 8.8 lbs, exc, tweed case
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1967 Guild® F-30 NT

1967, original old Guild in real nice shape, great sounding, 15" across, Spruce top with a lot of vertical bear claw, Brazilian rosewood fingerboard, Chesterfield logo in peghead, all original, vgc+
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1944 Martin 0-18

1944, scalloped bracing, Adirondack Spruce top, Mahogany back & sides, , new tuning machine buttons, perfect neck re-set, very fine original condition with no cracks or touchups, newer hsc
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Goodall RGCC

recent, 15" auditorium cutaway, 25 1/2" scale, 1 3/4" at nut Rosewood back and sides, Spruce top, Koa binding, abalone rosette, ebony board w/ small cut diamond pearl inlays
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1998 Fender® Telecaster® '52 Re-issue LEFTY

'52 Tele, Lefty, butterscotch, certificate, a little finish worn off one area corner/side, tweed case
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2001 Fender® Stratocaster® '56 Relic®

LEFTY, 2001, Black, maple neck, moderately heavy relic finish, soft V neck, certificate, exc, tweed case
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1968 Fender® Vibrolux® Reverb

1968, silver panel, drip edge, 2 original 10" Oxford Fender speakers
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1971 Fender® Princeton® Reverb

1971, 12" Celestion replacement speaker, Tremelo & Reverb, sounds great
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Takamine EF487 or EF407

used, Made in Japan, concert size, all Koa wood, internal pickup with Takamine Graph-Ex pre-amp, 14 fret slotted peghead neck
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1983 Fender® Stratocaster® '57 Reissue

Very early 1983, neck dated 1-14-83, body dated 1-13-83, sunburst, '82 features include the red-bottom pickups, 1 pot dated '81, one replaced in '87, the other can't be read for the solder joints on it, original tweed case
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2016 RAINSONG Smokey Hybrid

The hybrid construction of the SMH combines the best qualities of Carbon fiber and Glass fiber. Glass fibers soften the crystalline Carbon tone to provide a mellow yet resonant sound, 12-Fret, 24.9” Scale Length, Hybrid Carbon-Fiber/Glass-Fiber Construction LR Baggs Stagepro Element Electronics, Hard Shell Case
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NEW,The Concert Series is all about Warm Tone. These are the lightest soundboards built by RainSong using unidirectional carbon. Unidirectional carbon mimics the tight grain of a fine spruce soundboard. Thus, it is not surprising that this line produces a warmer tone. WS Shape, 14-Fret, 25.4” Scale Length, All-Carbon-Fiber Construction with Unidirectional Soundboard, Fishman Prefix+T Electronics...
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