According to George Gruhn’s Guide to Vintage Guitars, the Gibson Blue Ridge is a jumbo-style guitar with a solid spruce top and rosewood back and sides and a mahogany neck. The standard Blue Ridge guitar has a 14/20-fret rosewood finger board with pearl dot inlay, a black pick guard, and full black...

According to The Blue Book of Acoustic Guitars, the Gibson B series of acoustic guitars was the direct successor to the LG series largely phased out in the mid-1960s. Generally speaking, the B-15 replaced the LG-0, the B-20 replaced the LG-1, the B-25 replaced the X-braced LG-2, and the larger B-45...

According to The Blue Book of Acoustic Guitars, the Gibson B series of acoustic guitars was the successor to the LG series largely phased out in the early 1960s. Generally speaking, the B-15 replaced the LG-0, the B-20 replaced the LG-1, and the B-25 replaced the LG-2 and LG-3. Thus, this B-25-12N...

According to The Blue Book of Acoustic Guitars, the Gibson B series of acoustic guitars was the direct successor to the LG series largely phased out in the mid-1960s. Generally speaking, the B-15 replaced the LG-0, the B-20 replaced the LG-1, the B-25 replaced the X-braced LG-2, and the larger B-45...

The Gibson J-45 is—despite Martin’s claim—America’s guitar, the signature instrument of the serious player in jams, gigs, hoedowns, hootenannies, parties, and front porches since the 1940’s. The J-45 has a square-shouldered jumbo body (since 1969) with a solid spruce top and mahogany back, sides,...

The Gibson J-45 is—despite Martin’s claim—America’s guitar, the signature instrument of the serious player in jams, gigs, hoedowns, hootenannies, parties, and front porches since the 1940’s. The J-45 has a square-shouldered jumbo body (since 1969) with a solid spruce top and mahogany back, sides,...

The Gibson J-45 is—despite Martin’s claim—America’s guitar, the signature instrument of the serious player in jams, gigs, hoedowns, hootenannies, parties, and front porches since the 1940’s. The original J-45 has a slope-shouldered jumbo body (until 1969) with a solid spruce top and mahogany back,...

The Gibson J-45 is—despite Martin’s claim—America’s guitar, the signature instrument of the serious player in jams, gigs, hoedowns, hootenannies, parties, and front porches since the 1940’s. The J-45 has a square-shouldered jumbo body (since 1969) with a solid spruce top and mahogany back, sides,...

#911615 well-travelled but no cracks. The back has overall finish crenulation. Sound is rich and deep with strong treble.. Deep red handsome but muted top with adjustable rosewood saddle (original). Sounds great with the adjustable bridge so we left it alone.

#U8665 18 big sounding veteran with mojo. A repaired crack on the treble side of the top that ends at the bridge. Plenty of vintage crackle on the front. Buckle wear on back in two places seen in photos otherwise back is good. Neck is fine, action is perfect and there is room on the saddle. A...

Here's a Banner headstock Gibson J-45. This was purchased from the family of the original owner and includes a picture of the original owner playing it! At some point along the way, he had the guitar refinish. The story is he had his name etched on the top, and eventually wanted it to look back to...

The Epiphone “Texan” FT-79 is the successor to the brand's acclaimed '40s flattops. Right after Gibson bought Epiphone in 1957, the company redesigned those '40s flattops to incorporate some of the design elements of the Gibson J-45, giving birth to what they eventually renamed the “Texan.” It...