A professionally used instrument with a number of repairs . Owned by noted traditional jazz player Marty Grosz, he acquired this for its sound, not necessary for its collectibility. The back seam has a repair and there seems to be some moisture discoloration near the seam. The neck appears to be...

As clean and perfect example as I have had. All gold intact , two PAFs, sharp cutaway, two piece solid back, carved spruce top. Just a killer guitar. ( with tags and original receipt )

Fine condition Banner LG-2 . Mahogany top, back and sides. No adjustable truss rod, but it has maple neck reinforcement. All original except replaced tuners and a pro neck set. A fine example.

A rare 12 fret , long scale 000-18. One of 62 made in 1930.these are incredibly light responsive guitars . Set up by TJ Thompson, including a refret with bar frets , new nut and adjustment of the bridge contour. Previous touchups on the top over some playing wear , but no top cracks. The finish is...

Beautiful shaded top 1937 00. Pro converted by John Arnold, and recently set up by Tom Crandall. No cracks or issues . Fine sound and playability.

This is a cool and early Nick Lucas model. 12 frets to the body, A bracing and earlier peanut body shape. Banjo tuners and inlaid pearl “The Gibson “ Logo. A few repaired hairline back cracks; otherwise all tight and ready to go. Lively resonant instrument . Blues approved!

Oval hole cutaway model from talented Luthier Bryant Trenier. Rich full acoustic sound make this a versatile instrument. Select spruce top and very fine mahogany back sides and neck.17” wide ,1 11/16” nut , 25 1/4” scale.

A beautiful handmade guitar by noted builder Mark Campellone. The Special is his upper end model with select figured maple and fine spruce . Perfect setup and playability. Balanced , even tone and excellnet response. Floating Armstrong pickup.17” wide, 1 11/16” nut, 25 1/2” scale.

A full 18” non cutaway New Yorker. Big full sound . Highly flamed maple back sides and neck. 25 1/2” scale. Extra engraving to the split block fingerboard inlays. One minor repaired crack where the pickguard would be. Otherwise in fine original condition.

A fine and great playing full body ES-350. Two P -90 pickups with that warm vintage sound. Pro refret, one changed pot , otherwise no repairs or alterations. The guitar shows some of age and a bit of playing wear. Nice chunky neck .

A great sounding and playing PAF 335. The guitar has a few minor issues but plays effortlessly and sounds incredible. There is a small repaired truss rod crack, repaired and stable, on the back of the neck between frets 2 -4 . This is not uncommon on semi-hollows of this era. The guitar has had a...

A beautiful late fern F-5. Specs look like a ca 1929 carve, by serial number 1931 , by fon and Spann ship date a bit later. In near mint original condition, this mandolin has all the volume and projection one expects from a prewar F-5.frets are in great shape and neck angle is perfect. A fine...

This 12 String was the first wood bound guitar built in the New Yorker Classic style . It is a 16” non cutaway, oval hole archtop 12 string. Imported woods.excellent projection and tone. Headstock has a figured maple overlay with the D’Aquisto logo in pearl. A unique instrument.

A rare late modernistic model,from the master James D’Aquisto. The Centura was designed to be a versatile acoustic instrument built more like a violin ,with the top going all the way to the edge , enhanced with decorative purfling. Beautiful imported maple and spruce finished in a subtle sunburst....

A beautiful example, in near mint condition. The F-2 is slightly plainer than the F-4 model but was made with the same construction. It has a bell like oval hole tone and fine action. Inlaid Handel tuners. In the original hard case.

A rare 12 fret 000-28. The instrument shows some playing wear but there are no cracks. The guitar has had a pro neck set and replica bridge by Ken Fallon. Huge voice and perfect playability. More photos soon.

A fine nd attractive pearl inlaid Martin ukulele. Top of the line uke with no cracks.f Fine sound.

True steel string 12 fret 00-28. Replaced bridge by TJ Thompson, repaired center seam crack. All original finish , bracing and bridge plate. Fine sound and setup.

Custom shop high end Gibson. Perfect playability. Near mint ,one little Nick keeps it from mint. Beautiful flamed maple back sides and neck. 25 1/2” scale, full 1 11/16” nut width, 17” wide body. A fine modern instrument.

A stunningly clean and original AJ . About the cleanest one I have seen. Huge sound.Rosewood back and sides.. A rare model. Original red line case.

A master work by the greatest , James D’Aquisto. This guitar design revolutionized the modern archtop guitar. An important instrument. 17”. Wide . Beautiful tone and response. Previously owned by George Benson. All original.

A rare wide neck 000-21 . Herringbone rosette. Nice Brazilian rosewood back and sides. Rear X .A little wear but no cracks.lovely response.

A fine and early 1930 OM-28. Pyramid bridge. Repaired center seam with touchup by TJ Thompson. The back looks buffed .fine sound.

Fine sounding classic Herringbone D-28. Top crack repaired and some normal pick wear. A small filled screw hole on the back of the headstock. All straight and repaired, pro neck set by David Musselwhite. All bracing and bridge plate original.

1930 , small pickguard , banjo tuner OM-28. A classic guitar. Sound is very fine . The guitar has an oversized bridge and overspray to the top. Bridge plate is original , though repaired. Cool store emblem on back of the headstock.

James D’Aquisto is widely regarded as the preeminent builder of archtop guitars. He made two non-cutaway Excels, one in blonde and this one in Sunburst. Rebound by Cris Mirabella, this guitar is a beautiful example of D’Aqusto’s work. Excellent sound and playability. A rare and fine guitar.

Nice original 50s LG2; x braced, warm open tone. Two small screw holes filled in the rosette ( from a pickup) , otherwise straight with no issues or alterations. ( new price, was $4500)