This Paul Reed Smith (PRS) Private Stock #614 is one of the most storied PRS Private Stocks ever. This guitar was Joe Knaggs’s Personal Guitar, a very special guitar to him. Featured in the 2008 Private Stock Calendar, it was the first Archtop from PRS and Joe’s PRS employee 20th anniversary...

NEW - The new Super Beatle Pedal is built by a small boutique effects pedal builder in England. It is based on the preamp and effects that where found in the original 60’s Vox Super Beatle amps. Imagine plugging your guitar into a pedal that makes it sound like it's going through a Vox Super Beatle...

A Collaboration, not a Signature For over 20 years Joe Satriani has tasked Alan Rosen of Bananas At Large with finding the perfect amplifiers for his needs. Joe and Alan have tried every high-gain amp on the market, many unique boutique brands and models, and even have imported amps from all...

The Suhr Classic JM in Lime Green Metallic is a bold and modern reimagining of the offset guitar, designed with precision, tone, and playability at its core. Built on a foundation laid by John Suhr, one of the most respected names in the guitar world, this instrument embodies decades of innovation...

Fender Custom Shop 2018 Jimi Hendrix Voodoo Child Stratocaster Journeyman Relic with Closet Classic Hardware The "Jimi Hendrix Voodoo Child Stratocaster Journeyman Relic" model was designed and built by the Custom Shop and inspired by Jimi Hendrix. It is finished in Olympic white and...

Terry Kath has been praised by fans and guitar greats alike for his brilliance as an absolute guitar powerhouse. Kath, who Jimi Hendrix once cited as his favorite guitarist, fused sophisticated songwriting ability with his soulful vocals to launch Chicago Transit Authority in 1967. The band...

The Suhr Classic JM in Fiesta Red is a fearless blend of vintage cool and modern precision — a guitar that embodies everything John Suhr has spent decades perfecting. Widely regarded as one of the most influential and forward-thinking builders in the industry, John Suhr has consistently pushed the...

This item is in transit to the Dallas Vintage Guitar Show, which is open to the public on May 2nd, 3rd and 4th. If it doesn’t sell at the show, we will have it back in the shop by 5/12/25. If you’re interested in purchasing it and having it shipped when it gets back, please email...

The Studio 900 brings together the revered Marshall sound forged in the 90s with a new compact design made for home studios or professional settings. It faithfully captures the iconic JCM900 crunch, ensuring authenticity even at lower volumes. Artists like John 5, Nita Strauss, and Phil Campbell...

This item is in excellent working condition and barely used.The Radial JDI is a passive direct box designed to handle extreme signal levels without distortion of any kind. Unlike an active DI that is limited by the buffering amplifier's rail voltage, the JDI employs a Jensen audio transformer as...

Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for...

Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy's trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for...

Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate the sound of a muted trumpet. However, it was soon revoiced for rock guitarists and rereleased as the V846, to keep up with the unintended but...

1967 is back – the new wah pedal from the original creators Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use...

1967 is back – the new wah pedal from the original creators Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate the sound of a muted trumpet. However, it was soon revoiced for rock guitarists and...

1967 is back – the new wah pedal from the original creatorsIntroduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate the sound of a muted trumpet. However, it was soon revoiced for rock guitarists and...

1967 is back – the new wah pedal from the original creatorsIntroduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with...

1967 is back – the new wah pedal from the original creatorsIntroduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with...

From Keeley:We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or...

Presenting the new Vox VRM1 Real McCoy Wah Pedal 1967 is back – the new wah pedal from the original creators Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy's trumpet mute technique....

Presenting the all new Vox V846 Vintage Wah Pedal Reissue. 1967 is back – the new wah pedal from the original creators Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate the sound of a muted...

*Opened Box/Demo Unit: Brand New, Never Sold, Under Full Warranty* 1967 is back – the new wah pedal from the original creators Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s...

Fender Custom Shop Dennis Galuszka Masterbuilt Limited Edition Terry Kath Telecaster Model #: 9215008517 MORE ABOUT LIMITED EDITION TERRY KATH TELECASTER® Terry Kath has been praised by fans and guitar greats alike for his brilliance as an absolute guitar powerhouse. Kath, who Jimi Hendrix...

Presenting the new Vox VRM1 Real McCoy Wah Pedal, this one is the Limited Edition version in Chrome. 1967 is back – the new wah pedal from the original creators Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a...

Presenting the all new Keeley Dark Side Workstation, a combination Fuzz/Delay/Modulation pedal. From Robert Keeley about the Dark Side: "We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a...

Presenting the all new Strymon Ultraviolet Vintage Vibe Pedal. When it’s right, the sound of a vintage vibe pedal can be magical, full of gooey swirls and low end that is thick enough to almost chew on when you dig in, especially when going into a slightly overdriven amp. It’s a sound...

No Sales Tax For Customers Outside Of California. You might think, "A Marshall PA - hmpf, who needs it?".  I can see it easy to think that a PA head might be just for mics or keyboards, but let me tell you - this is as magical a guitar amp as anything out there. This Marshall Super PA appears...

The amp that started it all is back. The same iconic JTM sound, but more compact packing the power you know and love from Marshall, in a new portable size. The JTM is a welcome addition to the Studio range, offering players authentic, smooth, and valve-driven break-up at lower volumes – perfect for...

The MC404 CAE Wah was developed by Bob Bradshaw of Custom Audio Electronics and the Cry Baby design team with the goal of creating a highly versatile wah-wah of top-grade components. It features dual Fasel inductors with two distinct voices (high-end emphasis or low to mid resonance), and a...