A fine original condition 5-18. This model is a small guitar designed to be tuned up a minor third higher than standard. Standard 18 style appointments, mahogany back and sides , Sitka spruce top. No cracks or issues. This model was used notably by Marty Robbins.

Lovely blonde cutaway L-7 from the early 50s. Full feeling , comfortable neck. Not too big, just right. Pro refret and repro pickguard with a floating pickup make the guitar gig ready and a pleasure to play. No cracks or repairs. Excellent acoustic sound , as well. ( new reduced price at $5500)

A fine handmade jazz guitar by noted builder Cris Mirabella . Laminated construction with humbucking pickup, this model is designed for live gigging , plugged in use, though it retains a fine acoustic tone. 16” wide body, 25 1/5” scale and 1 11/16” nut width.

A nice original late 60s Byrdland. Standard specs ;23 1/2" scale, carved spruce too, curly maple back sides and neck, and two humbucking pickups . The guitar shows some light playing wear , but no issues.

Rare Bucky Pizzarelli model 7 string Benedetto . Label signed by Bob Made during the Guild era . only 8 were made . Laminate spruce top , 16” wide , 2 “ nut . Comes with Bucky’s Calton case ( this was owned by a friend of his , not Buckys) . No issues or repairs .

Very clean , basically unplayed L-5 cutaway in blonde finish. Attractive curly maple, excellent playability. With original COA.

Beautiful thin L5 in Cherry finish. Label signed by Hutch. The guitar is near mint with a few minor marks. Surprising volume and tone. I was struck by how much sound this guitar puts out. Lovely curly maple back, sides and neck . A real good one ! ( better photos soon.

Beautiful custom shop thin L-5 with built in humbuckers. Stunning curly maple and select spruce top. 1 11/16” nut width and 25 1/2” scale. The guitar shows almost no playing wear, just a little bit of tarnish on the metal parts. Lovely guitar.

Hutch signed Super 400. Fine resonant guitar ,equipped with a modern McCarty pickup. Original COA. Fine curly maple back sides and neck. A little bit of flaking in the finish at the neck , otherwise super clean condition.

A Rare model , only 215 made. The guitar is in excellent , very clean condition. It has the original patent sticker pickups but the covers have been changed. The owner must PT have changed the knobs, otherwise all original. No cracks or repairs. Full width neck. A fine jazz guitar.

This is a new smaller sized a Klein that I helped to design. The model designation is the width in cm, so about 15 1/2 “ wide. The revised spec is a shallower body , a 14 fret neck, 1 3/4” nut and a mahogany neck with ebony fingerboard. This is the prototype and it was made with an Engelmann...

A truly beautiful guitar made by a very talented builder. D’Ambrosio has worked with John Monteleone , at the Guild factory, and is currently the custom designer for Eastman. This is a fine instrument built by him alone . The Specs, According to the builder ,Otto D’Ambrosio , are ; 16 inch lower...

The classic jazz sound of an electric L-5 . A great playing guitar,with patent number Humbuckers and a sllghtly slim but full feeling neck. The instrument is original, though the top finish is a bit cloudy , but black lights correctly). Fine playability and electric sound.

A very fine rare Deluxe in excellent plus original condition. No alterations or repairs. It appears to have had other tuners , restored to correct ones. Otherwise all correct. Single transverse brace.great playability and fantastic tone.

A fine handmade instrument by one of the leading mandolin builders. This F-5 is an earlier example with the smooth S-holes , like on Ronnie McCoury’s mandolin. Fine sound and volume, the mandolin has no cracks or repairs,but does show some checking and pick wear. Lovely woods and workmanship.

A Rare mono 355. No stereo, no varitone. The guitar is in excellent playing condition , having a pro refret and repro pickguard. The sound is what you expect from two PAF pickups from the golden era . The only real issue with the guitar is a small stress crack from the truss rod at the back of the...

A virtuallly Unplayed Gilchrist archtop. Known for his amazing mandolins, he has built beautiful archtops for many years. His are a modern interpretation based on the original Loar L-5s. Varnish finish, stunning woods and a huge acoustic voice,

Fine original SJ-100: this is the prewar Mahogany version of the SJ-200. 17" jumbo body, maple neck, mahogany back and sides, Adirondack spruce top. Second version with "batwing " bridge and standard headstock. From the original owners family, recent pro neck set and refret at Mass Street Music....

A fine and rare pearl trimmed prewar Martin. Obtained from the family of the original owner, this is an unmolested and original guitar . The instrument does show playing wear , but no abuse. There is a minor side crack and the bridge has been reglued . The guitar appears to never having had a neck...

Fine original signed Loar F-5, dated March 31, 1924. Virzi equipped , this F-5 has a lovely warm and balanced tone but still retains some good punch and projection. The mandolin shows some scratching on the face but no cracks or any structural issues. A fine musical instrument.(new lower price, was...

This Loar signed F-5 was owned by Eric Weissberg and used on many shows and recordings. It is in fine original condition with no cracks or repairs , other than a refret. It does have a reproduction tailpiece cover. It is a fine musical instrument , as one would expect from a prime period 1923 F-5...