A fine sounding and playing Mahogany style 3 ukulele. No cracks or repairs, ten use does show some playing wear a new a few scratches. Celluloid ornament on top and stripe down tehe fingerboard. The style 3 was next to the top of the line .

Brand new from Steve Klein ; this model is his ergonomic version of a Tele style guitar . This is one is one of the first made in Japan versions made to his exacting specifications. New with warrantee. List price $2865. MAP $2550

A fine original condition 5-18. This model is a small guitar designed to be tuned up a minor third higher than standard. Standard 18 style appointments, mahogany back and sides , Sitka spruce top. No cracks or issues. This model was used notably by Marty Robbins.

Hard to find ,Epiphone masterbilt Triumph. Not sure why the headstock says Deluxe, but it is a Triumph. No cracks, fine original condition. 15 3/8” body width.The back of the neck shows wear through the finish , though it may have been sanded many years ago. The neck profile is unaltered. Cool...

A very cool and distinctive electric Gibson mandolin in a bright orange custom color. This mandolin was one of two made to introduce the model at the 1953 NAMM show. This model is a very usable eight string electric instrument with a real mandolin sound. The mandolin shows a few small marks , but...

A fine handmade jazz guitar by noted builder Cris Mirabella . Laminated construction with humbucking pickup, this model is designed for live gigging , plugged in use, though it retains a fine acoustic tone. 16” wide body, 25 1/5” scale and 1 11/16” nut width.

Hutch signed Super 400. Fine resonant guitar ,equipped with a modern McCarty pickup. Original COA. Fine curly maple back sides and neck. A little bit of flaking in the finish at the neck , otherwise super clean condition.

A fine handmade guitar by Otto D’Ambrosio. Otto has a great reputation for restoration and building. He is a designer for the Eastman custom shop. This is a guitar made by him alone. 17 “ body width , 1 7/8” nut width and 25 1/5” scale. The guitar has a lovely tone and response. It so fitted with...

A fancy single 0 style Larson Brothers guitar. 13 1/2” wide, 25” scale ,1 13/16 nut width. A few repaired cracks ( center seam and a couple if hairlines on the back ) but original finish and good neck angle. That special Larson sound, resonant with a presence and more bite than a Martin.

The top of the line , pearl inlaid koa uke. This is a beautiful, no excuses, crack free original example. Fine sound and action. Lovely curly koa wood top, sides and back. A really nice ukulele .

This is a new smaller sized a Klein that I helped to design. The model designation is the width in cm, so about 15 1/2 “ wide. The revised spec is a shallower body , a 14 fret neck, 1 3/4” nut and a mahogany neck with ebony fingerboard. This is the prototype and it was made with an Engelmann...

A great playing handmade arch top from noted builder Tom Ribbecke. Fancy quilted maple back sides and neck . 17” wide body, 1 23/22” nut width, 25 1/4” scale, 3 3/8”:body depth. A few minor nicks keep this from mint condition.the guitar has been well maintained and is effortless to play. Fine tone...

Clean and original Super400 Cutaway with a factory Johnny Smith pickup. Pro refret and an actual D’Aquisto bridge. Narrow nut, orange label. A fine instrument.

A very fine rare Deluxe in excellent plus original condition. No alterations or repairs. It appears to have had other tuners , restored to correct ones. Otherwise all correct. Single transverse brace.great playability and fantastic tone.

A fine handmade instrument by one of the leading mandolin builders. This F-5 is an earlier example with the smooth S-holes , like on Ronnie McCoury’s mandolin. Fine sound and volume, the mandolin has no cracks or repairs,but does show some checking and pick wear. Lovely woods and workmanship.

A beautiful example of John Zeidler’s flawless workmanship. 18” wide oval hole cutaway fully carved arch top guitar. 25.5 scale 1 3/4” nut width,2 7/8” body depth. Lovely tone and response.stunning figured maple back , sides and neck. A fine handmade instrument.

A virtuallly Unplayed Gilchrist archtop. Known for his amazing mandolins, he has built beautiful archtops for many years. His are a modern interpretation based on the original Loar L-5s. Varnish finish, stunning woods and a huge acoustic voice,

This is a rare and early example of D’Angelico’s work. His first guitar were his reinterpretation of the L-5 . This guitar is all original ,including rare ladder bracing. This feature has surfaced on a few early guitars. Sound is full rich and warm. Full feeling neck profile, 16 3/8” body width, 24...

A fine crack free example . Converted by noted luthier TJ Thompson . Fine sound and setup . A little wear where a pickguard would be , otherwise extremely clean guitar.

A very fine original early block marker 335. Mouse ears, PAFs , and original stop tail guitar. Great feel and tone. . A little checking on the back , biotic overall ,very clean , showing almost no playing wear. Nice medium neck . A classics semi-hollow.

Fine original signed Loar F-5, dated March 31, 1924. Virzi equipped , this F-5 has a lovely warm and balanced tone but still retains some good punch and projection. The mandolin shows some scratching on the face but no cracks or any structural issues. A fine musical instrument.(new lower price, was...