A beautiful example of a classic Uke! No cracks, all original , and fine sounding instrument. Celluloid ornament at the lower part of the top and extra binding dress up the lovley mahogany back, sides top, and neck. As nice a one as you will find.

Other than a few weather checks this guitar looks almost new. Perfect setup, mahogany neck, solid spruce top. Great traditional humbucking jazz sound.

All original, good playing example . Single P-90 pickup , maple laminate non cutaway body, mahogany neck. Original hardware , but pickguard is deteriorating and needs to be replaced. No cracks or repairs. Classic warm jazz tone.

The classic Beatle acoustic electric guitar. 1965, full size neck. The guitar shows some checking and a bit of normal playing wear, but no cracks or abuse. Easy action and good neck angle.

A custom shop Martin in M size with a cutaway Adirondack top and Madagascar Rosewood back and sides. The woods are very high grade, including a curly mahogany neck. 1 3/4” nut width. Fitted with a Fishman pickup, this guitar is ready to go and use in stage,

Hoboken made Guild with floating DeArmond pickup, a straight no issue guitar guitar ready to play. Pro refret, upgraded pickguard and pickup, (original guard in the case) full warm jazz tone. Full 1 11/16” nut width, 17” wide body. The guitar shows some light normal playing wear but no abuse....

Super clean and original no excuses 50’s 00-18. Lovely sound, light build , perfect action. Housed in a cool , possible earlier , tweed case. Simply , as nice as these get.

Brand new ( with warrantee) From Steve Klein, a chambered solid body headless electric .comfortable ergonomic body design. The body is tempered spruce, back tempered maple. Guatemalan Rosewood neck, J Custom bridge, Seymour Duncan Pickuos: bridge SH-4, Neck SH-2n. Comes with a custom deluxe leather...

Stunning condition Koa wood 0-18. No cracks or any signs of wear. Converted by Ken Fallon , with perfect bar frets. Lovely sparkling sound and effortless playability.

A warm and full sounding ES-350 . Two P-90s . plays effortlessly. Some normal playing wear and one replaced pot. Pro refret. No cracks or other issues. A fine musical instrument.( new lower price , was $7000)

Cool ,bluegrass style 50s Brazitian D-28. It looks like the guitar went back to the factory for a large pickguard. The guard is under the finish, and there may be some overspray on the top. Bridge is reglued and bolted down. Classic sound. Original bracing and bridge plate.

A fine handmade carved archtop guitar by Bryant Trenier.. An all select solid carved instrument., attractive curly maple back, sides and neck . Full sounding acoustically but enhanced with a floating Lollar Smith style pickup. 17” wide body.

Mint condition 25th anniversary model Johnny Smith. Single floating pickup. Highly figured maple . Attractive dark brown sunburst finish. Perfect playability. Original 1 11/16" width nut.

This is a custom high end carved archtop from John Buscarino. Similar to his Monarch , but with fancy woods and custom vine fingerboard inlays. Stunning curly maple back sides and neck. Perfect setup. Floating pickup.

A beautiful early example of this classic model. 1 3/4” wide nut and lovely curly maple back sides and neck. No repairs . Early pickup with tortoise plastic . Full warm jazz tone . Original case with case cover.

This is a new smaller sized a Klein that I helped to design. The model designation is the width in cm, so about 15 1/2 “ wide. The revised spec is a shallower body , a 14 fret neck, 1 3/4” nut and a mahogany neck with ebony fingerboard. This is the prototype and it was made with an Engelmann...

The classic jazz sound of an electric L-5 . A great playing guitar,with patent number Humbuckers and a sllghtly slim but full feeling neck. The instrument is original, though the top finish is a bit cloudy , but black lights correctly). Fine playability and electric sound.

A fine sounding original early Excel , with straight f-holes . The guitar shows playing wear but there are no significant repairs. One minor side crack and that’s it. Vintage style replacement tuners. Attractive curly maple back , sides and neck. 1 23/32" width nut, 24 3/4" scale.16 3/4" body...

A very fancy deluxe version of the D-45 . Custom ordered with Brazilian rosewood back and sides, tree of life fingerboard inlay, scroll bridge inlay, and inlaid pickguard. Premium , fine grained Adirondack spruce top. Abalone backstrip, and vine inlay in the headstock. Scalloped bracing. A real...

A very fine rare Deluxe in excellent plus original condition. No alterations or repairs. It appears to have had other tuners , restored to correct ones. Otherwise all correct. Single transverse brace.great playability and fantastic tone. New Price , was $28,000)

A beautiful non cutaway 18” Blonde New Yorker. The top of the line D’Angelico guitar. Kept in the family for many years, this is an original Unmodified guitar in beautiful condition. A repro pickguard is the only change. Fine sound and playability.

One of the cleanest prewar D-18s I have had in recent memory. It also sounds great and is set up perfectly.no cracks or issues, just a beautiful guitar. I will take better photos, but these will give you a good idea. This guitar is shown in a Fretboard journal video, ( vintage Martin D-18...

Extremely rare cutaway Master 400 . The guitar is in excellent playing condition with no cracks. It was professionally refinished about 20 years ago. The finish has aged back in nicely with some checking. The fingerboard was replaced at Gruhn guitars . Owned and used in performance by Riders in the...

A fine Maple back and sides, fourteen fret Nick Lucas. Big strong sound. Recent pro neck set.no top cracks , but Seam repair on the back . Rare and desireable model.

Beautiful master work of a guitar by James D’Aquisto. Full 18” New Yorker, made with the finest imported Spruce and European maple. Split block inlays on ebony fingerboard. Fine sound and playability. Headstock and heel cap just rebound by Cris Mirabella. Set up,with a floating JS pickup on the....

A very clean and fine OM-28 . This model was the first 14 fret Martin guitar. They are classics of simplicity of design and are known for there responsiveness and ethereal tone. This guitar has all these qualities. Obtained from the original owners family in the 1980s, the slightly later bridge...

Fine original signed Loar F-5, dated March 31, 1924. Virzi equipped , this F-5 has a lovely warm and balanced tone but still retains some good punch and projection. The mandolin shows some scratching on the face but no cracks or any structural issues. A fine musical instrument.(new lower price, was...

This Loar signed F-5 was owned by Eric Weissberg and used on many shows and recordings. It is in fine original condition with no cracks or repairs , other than a refret. It does have a reproduction tailpiece cover. It is a fine musical instrument , as one would expect from a prime period 1923 F-5...