A fine handmade archtop by Bryant Trenier. 17” wide, 1 11/16” nut, 25” scale, walnut back and sides . Basically, in unplayed condition , other than an added strap button. Excellent warn round tone and easy response.

This guitar is the first Standard model made by Mark Campellone. A lovely hand built guitar. Attractive woods. No repairs or issues.17” wide, 1 11/16” nut width.

A truly beautiful guitar made by a very talented builder. D’Ambrosio has worked with John Monteleone , at the Guild factory, and is currently the custom designer for Eastman. This is a fine instrument built by him alone . The Specs, According to the builder ,Otto D’Ambrosio , are ; 16 inch lower...

A fine handmade jazz guitar by noted builder Cris Mirabella . Laminated construction with humbucking pickup, this model is designed for live gigging , plugged in use, though it retains a fine acoustic tone. 16” wide body, 25 1/5” scale and 1 11/16” nut width.

One of only two non cutaway Excels made by the Master James D’Aquisto. One of the finest sounding acoustic archtops I have had . The guitar was rebound by Cris Mirabella and remains in beautiful crack free condition. Sold !

A classic archtop , equipped with a floating DeArmond pickup. Select curly maple back , sides and neck, spruce top. A nice original guitar with no cracks or issues. Two tiny screw holes near the tailpiece ( I cant figure out why) . Otherwise just some checking and normal signs of age. Minimal...

A stunningly clean Tal Farlow in Viceroy brown sunburst finish. The guitar shows no playing wear and looks almost new. All original with no issues or repairs. The nut is the narrower one , typical of the period . Playability and neck feel are excellent . A very rare model; only 215 original made.

A virtuallly Unplayed Gilchrist archtop. Known for his amazing mandolins, he has built beautiful archtops for many years. His are a modern interpretation based on the original Loar L-5s. Varnish finish, stunning woods and a huge acoustic voice,

Lovely blonde cutaway L-7 from the early 50s. Full feeling , comfortable neck. Not too big, just right. Pro refret and repro pickguard with a floating pickup make the guitar gig ready and a pleasure to play. No cracks or repairs. Excellent acoustic sound , as well.

A beautiful original guitar! All original, super clean with no issues or repairs. Straight neck, perfect neck angle and action. Only a few minor signs of wear keep it from being in mint condition.Full warm sounding P-90 pickups. The gold plating is still unworn, even on the pole pieces. An...

The classic jazz sound of an electric L-5 . A great playing guitar,with patent number Humbuckers and a sllghtly slim but full feeling neck. The instrument is original, though the top finish is a bit cloudy , but black lights correctly). Fine playability and electric sound.

A stunningly clean and fine example. No cracks or repairs. No binding issues. Beautiful smooth sound wit that warm midrange that these are known for. A few New Yorker features, like extra binding on the f holes and a NYstyle headstock. Cool alligator case.Highly figured imported woods. SOLD.

Extremely rare cutaway Master 400 . The guitar is in excellent playing condition with no cracks. It was professionally refinished about 20 years ago. The finish has aged back in nicely with some checking. The fingerboard was replaced at Gruhn guitars . Owned and used in performance by Riders in the...

Mint condition 25th anniversary model Johnny Smith. Single floating pickup. Highly figured maple . Attractive dark brown sunburst finish. Perfect playability. Original 1 11/16" width nut. ( new lower price , was $8500 )

A very fine rare Deluxe in excellent plus original condition. No alterations or repairs. It appears to have had other tuners , restored to correct ones. Otherwise all correct. Single transverse brace.great playability and fantastic tone. New Price , was $28,000)