A stunning presentation grade master work form one of today’s leading builders. Gorgeous curly maple back , sides and nec, . Eliptical sound holes and geometric fingerboard inlays. This guitar also has Monteleone’s side port. 17” wide body, 3. 1/8” depth, 2 1/8” nut width. Includes is a custom...

A very fine sounding and original , full size New Yorker deluxe. Width is about17 3/4” with a full 1 11/16” nut width, 24 3/4” scale.The guitar is represented for the family of the original owner. The guitar was only played for a few years , then stored. There is a repaired hairline crack under the...

James D’Aquisto is widely regarded as the preeminent builder of archtop guitars. He made two non-cutaway Excels, one in blonde and this one in Sunburst. Rebound by Cris Mirabella, this guitar is a beautiful example of D’Aqusto’s work. Excellent sound and playability. A rare and fine guitar.

Possibly a one of a kind 12 fret dot neck L-5 . Fine sound . One minor crack repaired under tailpiece. Modern feeling neck. The label says spc , for special above the L-5 model designation.

A fine sounding , well played classic L-5; dot neck, original gold tuners with pearl buttons. One or two minor hairline cracks repaired ( f-hole and under the tailpiece) . Otherwise , real playing wear. Modern neck profile, solid braces .Excellent sound and big volume.

A virtuallly Unplayed Gilchrist archtop. Known for his amazing mandolins, he has built beautiful archtops for many years. His are a modern interpretation based on the original Loar L-5s. Varnish finish, stunning woods and a huge acoustic voice, 25” scale, a hair under 1 11/16” nut width. X braced.

This is a 1940’s Excel that was converted to cutaway by James D’Aquisto. D’Aquisto signed the cutaway on the inside. ( both the signature and the serial number are hard to see ). It appears that the guitar was rebound and refinished at the time of the conversion. This guitar was formerly owned by...

A fine replica 16” L-5 made b6 Gibson in 2001 and signed by Hutch. The guitar shows only the slightest sign of play and looks practically new. Perfect setup and choice woods .

Hutch signed Super 400. Fine resonant guitar ,equipped with a modern McCarty pickup. Original COA. Fine curly maple back sides and neck. A little bit of flaking in the finish at the neck , otherwise super clean condition.

A fine handmade guitar by Otto D’Ambrosio. Otto has a great reputation for restoration and building. He is a designer for the Eastman custom shop. This is a guitar made by him alone. 17 “ body width , 1 7/8” nut width and 25 1/5” scale. The guitar has a lovely tone and response. It so fitted with...

A very rare Guild Jonny Smith, the precursor to the Artist Award. A solid carved guitar with attractive woods in very nice condition.The bridge is low, but action is fine and playable. The heel cap needs to be replaced , but body bindings are fine and intact. A nice vintage archtop.

A fine handmade jazz guitar by noted builder Cris Mirabella . Laminated construction with humbucking pickup, this model is designed for live gigging , plugged in use, though it retains a fine acoustic tone. Specs are as follows: pickup; seymour dunce alnico II with single volume under pick...

A beautiful example in virtually unplayed condition. No cracks, repairs or anything. Classic 50s full neck shape. A cool vintage archtop guitar .

One of only two non cutaway Excels made by the Master James D’Aquisto. One of the finest sounding acoustic archtops I have had . The guitar was rebound by Cris Mirabella and remains in beautiful crack free condition. Sold !