A fine handmade guitar by Otto D’Ambrosio. Otto has a great reputation for restoration and building. He is a designer for the Eastman custom shop. This is a guitar made by him alone. 17 “ body width , 1 7/8” nut width and 25 1/5” scale. The guitar has a lovely tone and response. It so fitted with...

A beautiful handmade guitar by noted builder Mark Campellone. The Special is his upper end model with select figured maple and fine spruce . Perfect setup and playability. Balanced , even tone and excellnet response. Floating Armstrong pickup.17” wide, 1 11/16” nut, 25 1/2” scale.

Oval hole cutaway model from talented Luthier Bryant Trenier. Rich full acoustic sound make this a versatile instrument. Select spruce top and very fine mahogany back sides and neck.17” wide ,1 11/16” nut , 25 1/4” scale.

Big sounding and well played 30s non cut L-5. The sound is wide open due to some vigorous playing over the decades. Repaired small side bash , otherwise no cracks just honest wear. Attractive woods, original finish and hardware .

A fine and great playing full body ES-350. Two P -90 pickups with that warm vintage sound. Pro refret, one changed pot , otherwise no repairs or alterations. The guitar shows some of age and a bit of playing wear. Nice chunky neck .

Hutch signed Super 400. Fine resonant guitar ,equipped with a modern McCarty pickup. Original COA. Fine curly maple back sides and neck. A little bit of flaking in the finish at the neck , otherwise super clean condition.

Custom shop high end Gibson. Perfect playability. Near mint ,one little Nick keeps it from mint. Beautiful flamed maple back sides and neck. 25 1/2” scale, full 1 11/16” nut width, 17” wide body. A fine modern instrument.

An incredibly clean , all original cutaway L-5P. The P is for premier, the first designation for cutaway. The woods are all highly figured premium flamey maple with a hand carved spruce top. The guitar is perfectly set up and has no repairs or alterations. Original hard case with Hunleth music...

A full 18” non cutaway New Yorker. Big full sound . Highly flamed maple back sides and neck. 25 1/2” scale. Extra engraving to the split block fingerboard inlays. One minor repaired crack where the pickguard would be. Otherwise in fine original condition.

James D’Aquisto is widely regarded as the preeminent builder of archtop guitars. He made two non-cutaway Excels, one in blonde and this one in Sunburst. Rebound by Cris Mirabella, this guitar is a beautiful example of D’Aqusto’s work. Excellent sound and playability. A rare and fine guitar.

This 12 String was the first wood bound guitar built in the New Yorker Classic style . It is a 16” non cutaway, oval hole archtop 12 string. Imported woods.excellent projection and tone. Headstock has a figured maple overlay with the D’Aquisto logo in pearl. A unique instrument.

A rare late modernistic model,from the master James D’Aquisto. The Centura was designed to be a versatile acoustic instrument built more like a violin ,with the top going all the way to the edge , enhanced with decorative purfling. Beautiful imported maple and spruce finished in a subtle sunburst....

A master work by the greatest , James D’Aquisto. This guitar design revolutionized the modern archtop guitar. An important instrument. 17”. Wide . Beautiful tone and response. Previously owned by George Benson. All original.